Oscar Wilde: Essays and Lectures

THE RISE OF HISTORICAL CRITICISM 2. CHAPTER II (continued)

Similarly he seems more inclined to believe that the great storm at the beginning of the Persian War ceased from ordinary atmospheric causes, and not in consequence of the incantations of the magians. He calls Melampos, whom the majority of the Greeks looked on as an inspired prophet, 'a clever man who had acquired for himself the art of prophecy'; and as regards the miracle told of the AEginetan statues of the primeval deities of Damia and Auxesia, that they fell on their knees when the sacrilegious Athenians strove to carry them off, 'any one may believe it,' he says, 'who likes, but as for myself, I place no credence in the tale.'

So much then for the rationalistic spirit of historical criticism, as far as it appears explicitly in the works of this great and philosophic writer; but for an adequate appreciation of his position we must also note how conscious he was of the value of documentary evidence, of the use of inscriptions, of the importance of the poets as throwing light on manners and customs as well as on historical incidents. No writer of any age has more vividly recognised the fact that history is a matter of evidence, and that it is as necessary for the historian to state his authority as it is to produce one's witnesses in a court of law.

While, however, we can discern in Herodotus the rise of an historic sense, we must not blind ourselves to the large amount of instances where he receives supernatural influences as part of the ordinary forces of life. Compared to Thucydides, who succeeded him in the development of history, he appears almost like a mediaeval writer matched with a modern rationalist. For, contemporary though they were, between these two authors there is an infinite chasm of thought.

The essential difference of their methods may be best illustrated from those passages where they treat of the same subject. The execution of the Spartan heralds, Nicolaos and Aneristos, during the Peloponnesian War is regarded by Herodotus as one of the most supernatural instances of the workings of nemesis and the wrath of an outraged hero; while the lengthened siege and ultimate fall of Troy was brought about by the avenging hand of God desiring to manifest unto men the mighty penalties which always follow upon mighty sins. But Thucydides either sees not, or desires not to see, in either of these events the finger of Providence, or the punishment of wicked doers. The death of the heralds is merely an Athenian retaliation for similar outrages committed by the opposite side; the long agony of the ten years' siege is due merely to the want of a good commissariat in the Greek army; while the fall of the city is the result of a united military attack consequent on a good supply of provisions.