PART 7
Chapter 31
(continued)
"Yes, I'm very much worried, and that's what reason was given me
for, to escape; so then one must escape: why not put out the
light when there's nothing more to look at, when it's sickening
to look at it all? But how? Why did the conductor run along the
footboard, why are they shrieking, those young men in that train?
why are they talking, why are they laughing? It's all falsehood,
all lying, all humbug, all cruelty!..."
When the train came into the station, Anna got out into the crowd
of passengers, and moving apart from them as if they were lepers,
she stood on the platform, trying to think what she had come here
for, and what she meant to do. Everything that had seemed to her
possible before was now so difficult to consider, especially in
this noisy crowd of hideous people who would not leave her alone.
One moment porters ran up to her proffering their services, then
young men, clacking their heels on the planks of the platform and
talking loudly, stared at her; people meeting her dodged past on
the wrong side. Remembering that she had meant to go on further
if there were no answer, she stopped a porter and asked if her
coachman were not here with a note from Count Vronsky.
"Count Vronsky? They sent up here from the Vronskys just this
minute, to meet Princess Sorokina and her daughter. And what is
the coachman like?"
Just as she was talking to the porter, the coachman Mihail, red
and cheerful in his smart blue coat and chain, evidently proud of
having so successfully performed his commission, came up to her
and gave her a letter. She broke it open, and her heart ached
before she had read it.
"I am very sorry your note did not reach me. I will be home at
ten," Vronsky had written carelessly....
"Yes, that's what I expected!" she said to herself with an evil
smile.
"Very good, you can go home then," she said softly, addressing
Mihail. She spoke softly because the rapidity of her heart's
beating hindered her breathing. "No, I won't let you make me
miserable," she thought menacingly, addressing not him, not
herself, but the power that made her suffer, and she walked along
the platform.
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