Plato: The Republic

0. THE INTRODUCTION (continued)

CHARACTERS

The principal characters in the Republic are Cephalus, Polemarchus, Thrasymachus, Socrates, Glaucon, and Adeimantus. Cephalus appears in the introduction only, Polemarchus drops at the end of the first argument, and Thrasymachus is reduced to silence at the close of the first book. The main discussion is carried on by Socrates, Glaucon, and Adeimantus. Among the company are Lysias (the orator) and Euthydemus, the sons of Cephalus and brothers of Polemarchus, an unknown Charmantides--these are mute auditors; also there is Cleitophon, who once interrupts, where, as in the Dialogue which bears his name, he appears as the friend and ally of Thrasymachus.

Cephalus, the patriarch of house, has been appropriately engaged in offering a sacrifice. He is the pattern of an old man who has almost done with life, and is at peace with himself and with all mankind. He feels that he is drawing nearer to the world below, and seems to linger around the memory of the past. He is eager that Socrates should come to visit him, fond of the poetry of the last generation, happy in the consciousness of a well-spent life, glad at having escaped from the tyranny of youthful lusts. His love of conversation, his affection, his indifference to riches, even his garrulity, are interesting traits of character. He is not one of those who have nothing to say, because their whole mind has been absorbed in making money. Yet he acknowledges that riches have the advantage of placing men above the temptation to dishonesty or falsehood. The respectful attention shown to him by Socrates, whose love of conversation, no less than the mission imposed upon him by the Oracle, leads him to ask questions of all men, young and old alike, should also be noted. Who better suited to raise the question of justice than Cephalus, whose life might seem to be the expression of it? The moderation with which old age is pictured by Cephalus as a very tolerable portion of existence is characteristic, not only of him, but of Greek feeling generally, and contrasts with the exaggeration of Cicero in the De Senectute. The evening of life is described by Plato in the most expressive manner, yet with the fewest possible touches. As Cicero remarks (Ep. ad Attic. iv. 16), the aged Cephalus would have been out of place in the discussion which follows, and which he could neither have understood nor taken part in without a violation of dramatic propriety.