Edward Bulwer-Lytton: The Last Days of Pompeii

BOOK THE SECOND 4. Chapter IV (continued)

'This faith,' said he, 'is but a borrowed plagiarism from one of the many allegories invented by our priests of old. Observe,' he added, pointing to a hieroglyphical scroll--'observe in these ancient figures the origin of the Christian's Trinity. Here are also three gods--the Deity, the Spirit, and the Son. Observe, that the epithet of the Son is "Saviour"--observe, that the sign by which his human qualities are denoted is the cross.' Note here, too, the mystic history of Osiris, how he put on death; how he lay in the grave; and how, thus fulfilling a solemn atonement, he rose again from the dead! In these stories we but design to paint an allegory from the operations of nature and the evolutions of the eternal heavens. But the allegory unknown, the types themselves have furnished to credulous nations the materials of many creeds. They have travelled to the vast plains of India; they have mixed themselves up in the visionary speculations of the Greek; becoming more and more gross and embodied, as they emerge farther from the shadows of their antique origin, they have assumed a human and palpable form in this novel faith; and the believers of Galilee are but the unconscious repeaters of one of the superstitions of the Nile!'

This was the last argument which completely subdued the priest. It was necessary to him, as to all, to believe in something; and undivided and, at last, unreluctant, he surrendered himself to that belief which Arbaces inculcated, and which all that was human in passion--all that was flattering in vanity--all that was alluring in pleasure, served to invite to, and contributed to confirm.

This conquest, thus easily made, the Egyptian could now give himself wholly up to the pursuit of a far dearer and mightier object; and he hailed, in his success with the brother, an omen of his triumph over the sister.