Charles Dickens: The Mystery of Edwin Drood

CHAPTER 11. A PICTURE AND A RING

Behind the most ancient part of Holborn, London, where certain gabled houses some centuries of age still stand looking on the public way, as if disconsolately looking for the Old Bourne that has long run dry, is a little nook composed of two irregular quadrangles, called Staple Inn. It is one of those nooks, the turning into which out of the clashing street, imparts to the relieved pedestrian the sensation of having put cotton in his ears, and velvet soles on his boots. It is one of those nooks where a few smoky sparrows twitter in smoky trees, as though they called to one another, 'Let us play at country,' and where a few feet of garden-mould and a few yards of gravel enable them to do that refreshing violence to their tiny understandings. Moreover, it is one of those nooks which are legal nooks; and it contains a little Hall, with a little lantern in its roof: to what obstructive purposes devoted, and at whose expense, this history knoweth not.

In the days when Cloisterham took offence at the existence of a railroad afar off, as menacing that sensitive constitution, the property of us Britons: the odd fortune of which sacred institution it is to be in exactly equal degrees croaked about, trembled for, and boasted of, whatever happens to anything, anywhere in the world: in those days no neighbouring architecture of lofty proportions had arisen to overshadow Staple Inn. The westering sun bestowed bright glances on it, and the south-west wind blew into it unimpeded.

Neither wind nor sun, however, favoured Staple Inn one December afternoon towards six o'clock, when it was filled with fog, and candles shed murky and blurred rays through the windows of all its then-occupied sets of chambers; notably from a set of chambers in a corner house in the little inner quadrangle, presenting in black and white over its ugly portal the mysterious inscription:

          P
      J       T
         1747

In which set of chambers, never having troubled his head about the inscription, unless to bethink himself at odd times on glancing up at it, that haply it might mean Perhaps John Thomas, or Perhaps Joe Tyler, sat Mr. Grewgious writing by his fire.