Mark Twain: The Innocents Abroad

18. CHAPTER XVIII. (continued)

Howsoever you look at the great cathedral, it is noble, it is beautiful! Wherever you stand in Milan or within seven miles of Milan, it is visible and when it is visible, no other object can chain your whole attention. Leave your eyes unfettered by your will but a single instant and they will surely turn to seek it. It is the first thing you look for when you rise in the morning, and the last your lingering gaze rests upon at night. Surely it must be the princeliest creation that ever brain of man conceived.

At nine o'clock in the morning we went and stood before this marble colossus. The central one of its five great doors is bordered with a bas-relief of birds and fruits and beasts and insects, which have been so ingeniously carved out of the marble that they seem like living creatures--and the figures are so numerous and the design so complex that one might study it a week without exhausting its interest. On the great steeple--surmounting the myriad of spires--inside of the spires--over the doors, the windows--in nooks and corners--every where that a niche or a perch can be found about the enormous building, from summit to base, there is a marble statue, and every statue is a study in itself! Raphael, Angelo, Canova--giants like these gave birth to the designs, and their own pupils carved them. Every face is eloquent with expression, and every attitude is full of grace. Away above, on the lofty roof, rank on rank of carved and fretted spires spring high in the air, and through their rich tracery one sees the sky beyond. In their midst the central steeple towers proudly up like the mainmast of some great Indiaman among a fleet of coasters.

We wished to go aloft. The sacristan showed us a marble stairway (of course it was marble, and of the purest and whitest--there is no other stone, no brick, no wood, among its building materials) and told us to go up one hundred and eighty-two steps and stop till he came. It was not necessary to say stop--we should have done that any how. We were tired by the time we got there. This was the roof. Here, springing from its broad marble flagstones, were the long files of spires, looking very tall close at hand, but diminishing in the distance like the pipes of an organ. We could see now that the statue on the top of each was the size of a large man, though they all looked like dolls from the street. We could see, also, that from the inside of each and every one of these hollow spires, from sixteen to thirty-one beautiful marble statues looked out upon the world below.