Herman Melville: Typee

0. PREFACE and INTRODUCTION TO THE EDITION OF 1892 (continued)

Mr. Melville died at his home in New York City early on the morning of September 28, 1891. His serious illness had lasted a number of months, so that the end came as a release. True to his ruling passion, philosophy had claimed him to the last, a set of Schopenhauer's works receiving his attention when able to study; but this was varied with readings in the 'Mermaid Series' of old plays, in which he took much pleasure. His library, in addition to numerous works on philosophy and the fine arts, was composed of standard books of all classes, including, of course, a proportion of nautical literature. Especially interesting are fifteen or twenty first editions of Hawthorne's books inscribed to Mr. and Mrs. Melville by the author and his wife.

The immediate acceptance of 'Typee' by John Murray was followed by an arrangement with the London agent of an American publisher, for its simultaneous publication in the United States. I understand that Murray did not then publish fiction. At any rate, the book was accepted by him on the assurance of Gansevoort Melville that it contained nothing not actually experienced by his brother. Murray brought it out early in 1846, in his Colonial and Home Library, as 'A Narrative of a Four Months' Residence among the Natives of a Valley of the Marquesas Islands; or, a Peep at Polynesian Life,' or, more briefly, 'Melville's Marquesas Islands.' It was issued in America with the author's own title, 'Typee,' and in the outward shape of a work of fiction. Mr. Melville found himself famous at once. Many discussions were carried on as to the genuineness of the author's name and the reality of the events portrayed, but English and American critics alike recognised the book's importance as a contribution to literature.

Melville, in a letter to Hawthorne, speaks of himself as having no development at all until his twenty-fifth year, the time of his return from the Pacific; but surely the process of development must have been well advanced to permit of so virile and artistic a creation as 'Typee.' While the narrative does not always run smoothly, yet the style for the most part is graceful and alluring, so that we pass from one scene of Pacific enchantment to another quite oblivious of the vast amount of descriptive detail which is being poured out upon us. It is the varying fortune of the hero which engrosses our attention. We follow his adventures with breathless interest, or luxuriate with him in the leafy bowers of the 'Happy Valley,' surrounded by joyous children of nature. When all is ended, we then for the first time realise that we know these people and their ways as if we too had dwelt among them.

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