H. Rider Haggard: Allan Quatermain

12. CHAPTER XII: THE SISTER QUEENS (continued)

So soon as we had finished our meal our venerable conductor, who had been standing all the while, regarding us with inquiring eyes, and our guns with something as like fear as his pride would allow him to show, bowed towards Good, whom he evidently took for the leader of the party on account of the splendour of his apparel, and once more led the way through the door and to the foot of the great staircase. Here we paused for a moment to admire two colossal lions, each hewn from a single block of pure black marble, and standing rampant on the terminations of the wide balustrades of the staircase. These lions are magnificently executed, and it is said were sculptured by Rademas, the great prince who designed the staircase, and who was without doubt, to judge from the many beautiful examples of his art that we saw afterwards, one of the finest sculptors who ever lived, either in this or any other country. Then we climbed almost with a feeling of awe up that splendid stair, a work executed for all time and that will, I do not doubt, be admired thousands of years hence by generations unborn unless an earthquake should throw it down. Even Umslopogaas, who as a general rule made it a point of honour not to show astonishment, which he considered undignified, was fairly startled out of himself, and asked it the 'bridge had been built by men or devils', which was his vague way of alluding to any supernatural power. But Alphonse did not care about it. Its solid grandeur jarred upon the frivolous little Frenchman, who said that it was all 'tres magnifique, mais triste -- ah, triste!' and went on to suggest that it would be improved if the balustrades were gilt.