H. Rider Haggard: Allan Quatermain

12. CHAPTER XII: THE SISTER QUEENS (continued)

The hall is, as we afterwards learnt, one hundred and fifty feet long by eighty wide, and has a magnificent arched roof of carved wood. Down the entire length of the building there are on either side, and at a distance of twenty feet from the wall, slender shafts of black marble springing sheer to the roof, beautifully fluted, and with carved capitals. At one end of this great place which these pillars support is the group of which I have already spoken as executed by the King Rademas to commemorate his building of the staircase; and really, when we had time to admire it, its loveliness almost struck us dumb. The group, of which the figures are in white, and the rest is black marble, is about half as large again as life, and represents a young man of noble countenance and form sleeping heavily upon a couch. One arm is carelessly thrown over the side of this couch, and his head reposes upon the other, its curling locks partially hiding it. Bending over him, her hand resting on his forehead, is a draped female form of such white loveliness as to make the beholder's breath stand still. And as for the calm glory that shines upon her perfect face -- well, I can never hope to describe it. But there it rests like the shadow of an angel's smile; and power, love, and divinity all have their part in it. Her eyes are fixed upon the sleeping youth, and perhaps the most extraordinary thing about this beautiful work is the success with which the artist has succeeded in depicting on the sleeper's worn and weary face the sudden rising of a new and spiritual thought as the spell begins to work within his mind. You can see that an inspiration is breaking in upon the darkness of the man's soul as the dawn breaks in upon the darkness of night. It is a glorious piece of statuary, and none but a genius could have conceived it. Between each of the black marble columns is some such group of figures, some allegorical, and some representing the persons and wives of deceased monarchs or great men; but none of them, in our opinion, comes up the one I have described, although several are from the hand of the sculptor and engineer, King Rademas.