Jane Austen: Mansfield Park

16. CHAPTER XVI (continued)

The aspect was so favourable that even without a fire it was habitable in many an early spring and late autumn morning to such a willing mind as Fanny's; and while there was a gleam of sunshine she hoped not to be driven from it entirely, even when winter came. The comfort of it in her hours of leisure was extreme. She could go there after anything unpleasant below, and find immediate consolation in some pursuit, or some train of thought at hand. Her plants, her books-- of which she had been a collector from the first hour of her commanding a shilling--her writing-desk, and her works of charity and ingenuity, were all within her reach; or if indisposed for employment, if nothing but musing would do, she could scarcely see an object in that room which had not an interesting remembrance connected with it. Everything was a friend, or bore her thoughts to a friend; and though there had been sometimes much of suffering to her; though her motives had often been misunderstood, her feelings disregarded, and her comprehension undervalued; though she had known the pains of tyranny, of ridicule, and neglect, yet almost every recurrence of either had led to something consolatory: her aunt Bertram had spoken for her, or Miss Lee had been encouraging, or, what was yet more frequent or more dear, Edmund had been her champion and her friend: he had supported her cause or explained her meaning, he had told her not to cry, or had given her some proof of affection which made her tears delightful; and the whole was now so blended together, so harmonised by distance, that every former affliction had its charm. The room was most dear to her, and she would not have changed its furniture for the handsomest in the house, though what had been originally plain had suffered all the ill-usage of children; and its greatest elegancies and ornaments were a faded footstool of Julia's work, too ill done for the drawing-room, three transparencies, made in a rage for transparencies, for the three lower panes of one window, where Tintern Abbey held its station between a cave in Italy and a moonlight lake in Cumberland, a collection of family profiles, thought unworthy of being anywhere else, over the mantelpiece, and by their side, and pinned against the wall, a small sketch of a ship sent four years ago from the Mediterranean by William, with H.M.S. Antwerp at the bottom, in letters as tall as the mainmast.