Alexandre Dumas: The Three Musketeers

13. MONSIEUR BONACIEUX

There was in all this, as may have been observed, one personage concerned, of whom, notwithstanding his precarious position, we have appeared to take but very little notice. This personage was M. Bonacieux, the respectable martyr of the political and amorous intrigues which entangled themselves so nicely together at this gallant and chivalric period.

Fortunately, the reader may remember, or may not remember-- fortunately we have promised not to lose sight of him.

The officers who arrested him conducted him straight to the Bastille, where he passed trembling before a party of soldiers who were loading their muskets. Thence, introduced into a half-subterranean gallery, he became, on the part of those who had brought him, the object of the grossest insults and the harshest treatment. The officers perceived that they had not to deal with a gentleman, and they treated him like a very peasant.

At the end of half an hour or thereabouts, a clerk came to put an end to his tortures, but not to his anxiety, by giving the order to conduct M. Bonacieux to the Chamber of Examination. Ordinarily, prisoners were interrogated in their cells; but they did not do so with M. Bonacieux.

Two guards attended the mercer who made him traverse a court and enter a corridor in which were three sentinels, opened a door and pushed him unceremoniously into a low room, where the only furniture was a table, a chair, and a commissary. The commissary was seated in the chair, and was writing at the table.

The two guards led the prisoner toward the table, and upon a sign from the commissary drew back so far as to be unable to hear anything.

The commissary, who had till this time held his head down over his papers, looked up to see what sort of person he had to do with. This commissary was a man of very repulsive mien, with a pointed nose, with yellow and salient cheek bones, with eyes small but keen and penetrating, and an expression of countenance resembling at once the polecat and the fox. His head, supported by a long and flexible neck, issued from his large black robe, balancing itself with a motion very much like that of the tortoise thrusting his head out of his shell. He began by asking M. Bonacieux his name, age, condition, and abode.