BOOK II. OLD AND YOUNG.
16. CHAPTER XVI.
(continued)
Poor Lydgate! or shall I say, Poor Rosamond! Each lived in a world
of which the other knew nothing. It had not occurred to Lydgate
that he had been a subject of eager meditation to Rosamond,
who had neither any reason for throwing her marriage into distant
perspective, nor any pathological studies to divert her mind from
that ruminating habit, that inward repetition of looks, words,
and phrases, which makes a large part in the lives of most girls.
He had not meant to look at her or speak to her with more than
the inevitable amount of admiration and compliment which a man
must give to a beautiful girl; indeed, it seemed to him that his
enjoyment of her music had remained almost silent, for he feared
falling into the rudeness of telling her his great surprise at her
possession of such accomplishment. But Rosamond had registered
every look and word, and estimated them as the opening incidents
of a preconceived romance--incidents which gather value from the
foreseen development and climax. In Rosamond's romance it was not
necessary to imagine much about the inward life of the hero, or of
his serious business in the world: of course, he had a profession
and was clever, as well as sufficiently handsome; but the piquant
fact about Lydgate was his good birth, which distinguished him
from all Middlemarch admirers, and presented marriage as a prospect
of rising in rank and getting a little nearer to that celestial
condition on earth in which she would have nothing to do with
vulgar people, and perhaps at last associate with relatives quite
equal to the county people who looked down on the Middlemarchers.
It was part of Rosamond's cleverness to discern very subtly the
faintest aroma of rank, and once when she had seen the Miss Brookes
accompanying their uncle at the county assizes, and seated among
the aristocracy, she had envied them, notwithstanding their plain dress.
If you think it incredible that to imagine Lydgate as a man of family
could cause thrills of satisfaction which had anything to do with
the sense that she was in love with him, I will ask you to use your
power of comparison a little more effectively, and consider whether
red cloth and epaulets have never had an influence of that sort.
Our passions do not live apart in locked chambers, but, dressed in
their small wardrobe of notions, bring their provisions to a common
table and mess together, feeding out of the common store according
to their appetite.
|