Part Two
Chapter 17: Lying to Cecil
(continued)
He put down his glass and opened the window. From where she
knelt, jangling her keys, she could see a slit of darkness, and,
peering into it, as if it would tell him that "little more," his
long, thoughtful face.
"Don't open the window; and you'd better draw the curtain, too;
Freddy or any one might be outside." He obeyed. "I really think
we had better go to bed, if you don't mind. I shall only say
things that will make me unhappy afterwards. As you say it is all
too horrible, and it is no good talking."
But to Cecil, now that he was about to lose her, she seemed each
moment more desirable. He looked at her, instead of through her,
for the first time since they were engaged. From a Leonardo she
had become a living woman, with mysteries and forces of her own,
with qualities that even eluded art. His brain recovered from the
shock, and, in a burst of genuine devotion, he cried: "But I love
you, and I did think you loved me!"
"I did not," she said. "I thought I did at first. I am sorry, and
ought to have refused you this last time, too."
He began to walk up and down the room, and she grew more and more
vexed at his dignified behaviour. She had counted on his being
petty. It would have made things easier for her. By a cruel irony
she was drawing out all that was finest in his disposition.
"You don't love me, evidently. I dare say you are right not to.
But it would hurt a little less if I knew why."
"Because"--a phrase came to her, and she accepted it--"you're the
sort who can't know any one intimately."
A horrified look came into his eyes.
|