Herman Melville: Typee

21. CHAPTER TWENTY-ONE (continued)

One day in returning from this spring by a circuitous path, I came upon a scene which reminded me of Stonehenge and the architectural labours of the Druids.

At the base of one of the mountains, and surrounded on all sides by dense groves, a series of vast terraces of stone rises, step by step, for a considerable distance up the hill side. These terraces cannot be less than one hundred yards in length and twenty in width. Their magnitude, however, is less striking than the immense size of the blocks composing them. Some of the stones, of an oblong shape, are from ten to fifteen feet in length, and five or six feet thick. Their sides are quite smooth, but though square, and of pretty regular formation, they bear no mark of the chisel. They are laid together without cement, and here and there show gaps between. The topmost terrace and the lower one are somewhat peculiar in their construction. They have both a quadrangular depression in the centre, leaving the rest of the terrace elevated several feet above it. In the intervals of the stones immense trees have taken root, and their broad boughs stretching far over, and interlacing together, support a canopy almost impenetrable to the sun. Overgrowing the greater part of them, and climbing from one to another, is a wilderness of vines, in whose sinewy embrace many of the stones lie half-hidden, while in some places a thick growth of bushes entirely covers them. There is a wild pathway which obliquely crosses two of these terraces; and so profound is the shade, so dense the vegetation, that a stranger to the place might pass along it without being aware of their existence.

These structures bear every indication of a very high antiquity and Kory-Kory, who was my authority in all matters of scientific research, gave me to understand that they were coeval with the creation of the world; that the great gods themselves were the builders; and that they would endure until time shall be no more.

Kory-Kory's prompt explanation and his attributing the work to a divine origin, at once convinced me that neither he nor the rest of his country-men knew anything about them.