PART II
7. CHAPTER VII
(continued)
"No business to die!" cried Katerina Ivanovna, and she was rushing to
the door to vent her wrath upon them, but in the doorway came face to
face with Madame Lippevechsel who had only just heard of the accident
and ran in to restore order. She was a particularly quarrelsome and
irresponsible German.
"Ah, my God!" she cried, clasping her hands, "your husband drunken
horses have trampled! To the hospital with him! I am the landlady!"
"Amalia Ludwigovna, I beg you to recollect what you are saying,"
Katerina Ivanovna began haughtily (she always took a haughty tone with
the landlady that she might "remember her place" and even now could
not deny herself this satisfaction). "Amalia Ludwigovna . . ."
"I have you once before told that you to call me Amalia Ludwigovna may
not dare; I am Amalia Ivanovna."
"You are not Amalia Ivanovna, but Amalia Ludwigovna, and as I am not
one of your despicable flatterers like Mr. Lebeziatnikov, who's
laughing behind the door at this moment (a laugh and a cry of 'they
are at it again' was in fact audible at the door) so I shall always
call you Amalia Ludwigovna, though I fail to understand why you
dislike that name. You can see for yourself what has happened to
Semyon Zaharovitch; he is dying. I beg you to close that door at once
and to admit no one. Let him at least die in peace! Or I warn you the
Governor-General, himself, shall be informed of your conduct
to-morrow. The prince knew me as a girl; he remembers Semyon
Zaharovitch well and has often been a benefactor to him. Everyone
knows that Semyon Zaharovitch had many friends and protectors, whom he
abandoned himself from an honourable pride, knowing his unhappy
weakness, but now (she pointed to Raskolnikov) a generous young man
has come to our assistance, who has wealth and connections and whom
Semyon Zaharovitch has known from a child. You may rest assured,
Amalia Ludwigovna . . ."
All this was uttered with extreme rapidity, getting quicker and
quicker, but a cough suddenly cut short Katerina Ivanovna's eloquence.
At that instant the dying man recovered consciousness and uttered a
groan; she ran to him. The injured man opened his eyes and without
recognition or understanding gazed at Raskolnikov who was bending over
him. He drew deep, slow, painful breaths; blood oozed at the corners
of his mouth and drops of perspiration came out on his forehead. Not
recognising Raskolnikov, he began looking round uneasily. Katerina
Ivanovna looked at him with a sad but stern face, and tears trickled
from her eyes.
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