Louisa May Alcott: Jo's Boys

Chapter 14. PLAYS AT PLUMFIELD (continued)

The second was quieter, and introduced Josie as a bonny country lass setting the supper-table in a bad humour. The pettish way in which she slapped down the plates, hustled the cups, and cut the big brown loaf, as she related her girlish trials and ambitions, was capital. Mrs Jo kept her eye on Miss Cameron, and saw her nod approval several times at some natural tone or gesture, some good bit of by-play or a quick change of expression in the young face, which was as variable as an April day. Her struggle with the toasting-fork made much merriment; so did her contempt for the brown sugar, and the relish with which she sweetened her irksome duties by eating it; and when she sat, like Cinderella, on the hearth, tearfully watching the flames dance on the homely room, a girlish voice was heard to exclaim impulsively:

'Poor little thing! she ought to have some fun!'

The old woman enters; and mother and daughter have a pretty scene, in which the latter coaxes and threatens, kisses and cries, till she wins the reluctant consent of the former to visit a rich relation in the city; and from being a little thunder-cloud Dolly becomes bewitchingly gay and good, as soon as her wilful wish is granted. The poor old soul has hardly recovered from this trial when the son enters, in army blue, tells he has enlisted and must go. That is a hard blow; but the patriotic mother bears it well, and not till the thoughtless young folks have hastened away to tell their good news elsewhere does she break down. Then the country kitchen becomes pathetic as the old mother sits alone mourning over her children, till the grey head is hidden in the hands as she kneels down by the cradle to weep and pray, with only Baby to comfort her fond and faithful heart.

Sniffs were audible all through the latter part of this scene; and when the curtain fell, people were so busy wiping their eyes that for a moment they forgot to applaud. That silent moment was more flattering than noise; and as Mrs Jo wiped the real tears off her sister's face, she said as solemnly as an unconscious dab of rouge on her nose permitted:

'Meg, you have saved my play! Oh, why aren't you a real actress, and I a real playwright?'