W. Somerset Maugham: Of Human Bondage

41. CHAPTER XLI (continued)

"Never," shouted the American, using both hands now with a sudden desperate attempt to get his hair once for all out of the way. "In ten years that picture will be dead. It's only a fashion of the moment. No picture can live that hasn't got something which that picture misses by a million miles."

"And what is that?"

"Great art can't exist without a moral element."

"Oh God!" cried Lawson furiously. "I knew it was that. He wants morality." He joined his hands and held them towards heaven in supplication. "Oh, Christopher Columbus, Christopher Columbus, what did you do when you discovered America?"

"Ruskin says..."

But before he could add another word, Clutton rapped with the handle of his knife imperiously on the table.

"Gentlemen," he said in a stern voice, and his huge nose positively wrinkled with passion, "a name has been mentioned which I never thought to hear again in decent society. Freedom of speech is all very well, but we must observe the limits of common propriety. You may talk of Bouguereau if you will: there is a cheerful disgustingness in the sound which excites laughter; but let us not sully our chaste lips with the names of J. Ruskin, G. F. Watts, or E. B. Jones."

"Who was Ruskin anyway?" asked Flanagan.

"He was one of the Great Victorians. He was a master of English style."

"Ruskin's style--a thing of shreds and purple patches," said Lawson. "Besides, damn the Great Victorians. Whenever I open a paper and see Death of a Great Victorian, I thank Heaven there's one more of them gone. Their only talent was longevity, and no artist should be allowed to live after he's forty; by then a man has done his best work, all he does after that is repetition. Don't you think it was the greatest luck in the world for them that Keats, Shelley, Bonnington, and Byron died early? What a genius we should think Swinburne if he had perished on the day the first series of Poems and Ballads was published!"