Book II
31. Chapter XXXI.
(continued)
"Tomorrow I must see you--somewhere where we
can be alone," he said, in a voice that sounded almost
angry to his own ears.
She wavered, and moved toward the carriage.
"But I shall be at Granny's--for the present that is,"
she added, as if conscious that her change of plans
required some explanation.
"Somewhere where we can be alone," he insisted.
She gave a faint laugh that grated on him.
"In New York? But there are no churches . . . no
monuments."
"There's the Art Museum--in the Park," he explained,
as she looked puzzled. "At half-past two. I shall be at
the door . . ."
She turned away without answering and got quickly
into the carriage. As it drove off she leaned forward,
and he thought she waved her hand in the obscurity.
He stared after her in a turmoil of contradictory feelings.
It seemed to him that he had been speaking not to
the woman he loved but to another, a woman he was
indebted to for pleasures already wearied of: it was
hateful to find himself the prisoner of this hackneyed
vocabulary.
"She'll come!" he said to himself, almost contemptuously.
Avoiding the popular "Wolfe collection," whose anecdotic
canvases filled one of the main galleries of the queer
wilderness of cast-iron and encaustic tiles known as the
Metropolitan Museum, they had wandered down a
passage to the room where the "Cesnola antiquities"
mouldered in unvisited loneliness.
They had this melancholy retreat to themselves, and
seated on the divan enclosing the central steam-radiator,
they were staring silently at the glass cabinets mounted
in ebonised wood which contained the recovered fragments
of Ilium.
"It's odd," Madame Olenska said, "I never came
here before."
"Ah, well--. Some day, I suppose, it will be a great
Museum."
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