Charles Dickens: David Copperfield

CHAPTER 15. I MAKE ANOTHER BEGINNING (continued)

When the pony-chaise stopped at the door, and my eyes were intent upon the house, I saw a cadaverous face appear at a small window on the ground floor (in a little round tower that formed one side of the house), and quickly disappear. The low arched door then opened, and the face came out. It was quite as cadaverous as it had looked in the window, though in the grain of it there was that tinge of red which is sometimes to be observed in the skins of red-haired people. It belonged to a red-haired person - a youth of fifteen, as I take it now, but looking much older - whose hair was cropped as close as the closest stubble; who had hardly any eyebrows, and no eyelashes, and eyes of a red-brown, so unsheltered and unshaded, that I remember wondering how he went to sleep. He was high-shouldered and bony; dressed in decent black, with a white wisp of a neckcloth; buttoned up to the throat; and had a long, lank, skeleton hand, which particularly attracted my attention, as he stood at the pony's head, rubbing his chin with it, and looking up at us in the chaise.

'Is Mr. Wickfield at home, Uriah Heep?' said my aunt.

'Mr. Wickfield's at home, ma'am,' said Uriah Heep, 'if you'll please to walk in there' - pointing with his long hand to the room he meant.

We got out; and leaving him to hold the pony, went into a long low parlour looking towards the street, from the window of which I caught a glimpse, as I went in, of Uriah Heep breathing into the pony's nostrils, and immediately covering them with his hand, as if he were putting some spell upon him. Opposite to the tall old chimney-piece were two portraits: one of a gentleman with grey hair (though not by any means an old man) and black eyebrows, who was looking over some papers tied together with red tape; the other, of a lady, with a very placid and sweet expression of face, who was looking at me.

I believe I was turning about in search of Uriah's picture, when, a door at the farther end of the room opening, a gentleman entered, at sight of whom I turned to the first-mentioned portrait again, to make quite sure that it had not come out of its frame. But it was stationary; and as the gentleman advanced into the light, I saw that he was some years older than when he had had his picture painted.