Herman Melville: Typee

31. CHAPTER THIRTY-ONE (continued)

To savages generally is imputed a guttural articulation. This however, is not always the case, especially among the inhabitants of the Polynesian Archipelago. The labial melody with which the Typee girls carry on an ordinary conversation, giving a musical prolongation to the final syllable of every sentence, and chirping out some of the words with a liquid, bird-like accent, was singularly pleasing.

The men however, are not quite so harmonious in their utterance, and when excited upon any subject, would work themselves up into a sort of wordy paroxysm, during which all descriptions of rough-sided sounds were projected from their mouths, with a force and rapidity which was absolutely astonishing.

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Although these savages are remarkably fond of chanting, still they appear to have no idea whatever of singing, at least as the art is practised in other nations.

I shall never forget the first time I happened to roar out a stave in the presence of noble Mehevi. It was a stanza from the 'Bavarian broom-seller'. His Typeean majesty, with all his court, gazed upon me in amazement, as if I had displayed some preternatural faculty which Heaven had denied to them. The King was delighted with the verse; but the chorus fairly transported him. At his solicitation I sang it again and again, and nothing could be more ludicrous than his vain attempts to catch the air and the words. The royal savage seemed to think that by screwing all the features of his face into the end of his nose he might possibly succeed in the undertaking, but it failed to answer the purpose; and in the end he gave it up, and consoled himself by listening to my repetition of the sounds fifty times over.

Previous to Mehevi's making the discovery, I had never been aware that there was anything of the nightingale about me; but I was now promoted to the place of court-minstrel, in which capacity I was afterwards perpetually called upon to officiate.

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