Fyodor Dostoevsky: The Idiot

PART II 5. CHAPTER V. (continued)

Yes, all this must be put straight and above-board, there must be no more passionate renouncements, such as Rogojin's. It must all be clear as day. Cannot Rogojin's soul bear the light? He said he did not love her with sympathy and pity; true, he added that "your pity is greater than my love," but he was not quite fair on himself there. Kin! Rogojin reading a book--wasn't that sympathy beginning? Did it not show that he comprehended his relations with her? And his story of waiting day and night for her forgiveness? That didn't look quite like passion alone.

And as to her face, could it inspire nothing but passion? Could her face inspire passion at all now? Oh, it inspired suffering, grief, overwhelming grief of the soul! A poignant, agonizing memory swept over the prince's heart.

Yes, agonizing. He remembered how he had suffered that first day when he thought he observed in her the symptoms of madness. He had almost fallen into despair. How could he have lost his hold upon her when she ran away from him to Rogojin? He ought to have run after her himself, rather than wait for news as he had done. Can Rogojin have failed to observe, up to now, that she is mad? Rogojin attributes her strangeness to other causes, to passion! What insane jealousy! What was it he had hinted at in that suggestion of his? The prince suddenly blushed, and shuddered to his very heart.

But why recall all this? There was insanity on both sides. For him, the prince, to love this woman with passion, was unthinkable. It would be cruel and inhuman. Yes. Rogojin is not fair to himself; he has a large heart; he has aptitude for sympathy. When he learns the truth, and finds what a pitiable being is this injured, broken, half-insane creature, he will forgive her all the torment she has caused him. He will become her slave, her brother, her friend. Compassion will teach even Rogojin, it will show him how to reason. Compassion is the chief law of human existence. Oh, how guilty he felt towards Rogojin! And, for a few warm, hasty words spoken in Moscow, Parfen had called him "brother," while he--but no, this was delirium! It would all come right! That gloomy Parfen had implied that his faith was waning; he must suffer dreadfully. He said he liked to look at that picture; it was not that he liked it, but he felt the need of looking at it. Rogojin was not merely a passionate soul; he was a fighter. He was fighting for the restoration of his dying faith. He must have something to hold on to and believe, and someone to believe in. What a strange picture that of Holbein's is! Why, this is the street, and here's the house, No. 16.