BOOK SEVENTH.
CHAPTER 2. A PRIEST AND A PHILOSOPHER ARE TWO DIFFERENT THINGS.
(continued)
The mention of this last circumstance disturbed the
archdeacon greatly, though Gringoire paid no attention to
his perturbation; to such an extent had two months sufficed
to cause the heedless poet to forget the singular details of
the evening on which he had met the gypsy, and the presence
of the archdeacon in it all. Otherwise, the little dancer
feared nothing; she did not tell fortunes, which protected
her against those trials for magic which were so frequently
instituted against gypsy women. And then, Gringoire held the
position of her brother, if not of her husband. After all,
the philosopher endured this sort of platonic marriage very
patiently. It meant a shelter and bread at least. Every
morning, he set out from the lair of the thieves, generally
with the gypsy; he helped her make her collections of
targes* and little blanks** in the squares; each evening he
returned to the same roof with her, allowed her to bolt herself
into her little chamber, and slept the sleep of the just. A
very sweet existence, taking it all in all, he said, and well
adapted to revery. And then, on his soul and conscience, the
philosopher was not very sure that he was madly in love with
the gypsy. He loved her goat almost as dearly. It was a
charming animal, gentle, intelligent, clever; a learned
goat. Nothing was more common in the Middle Ages than these
learned animals, which amazed people greatly, and often led
their instructors to the stake. But the witchcraft of the
goat with the golden hoofs was a very innocent species of
magic. Gringoire explained them to the archdeacon, whom these
details seemed to interest deeply. In the majority of cases,
it was sufficient to present the tambourine to the goat in
such or such a manner, in order to obtain from him the trick
desired. He had been trained to this by the gypsy, who
possessed, in these delicate arts, so rare a talent that two
months had sufficed to teach the goat to write, with movable
letters, the word "Phoebus."
* An ancient Burgundian coin.
** An ancient French coin.
"'Phoebus!'" said the priest; "why 'Phoebus'?"
"I know not," replied Gringoire. "Perhaps it is a word
which she believes to be endowed with some magic and secret
virtue. She often repeats it in a low tone when she thinks
that she is alone."
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