Henry James: The Portrait of a Lady

VOLUME I 24. CHAPTER XXIV

It would certainly have been hard to see what injury could arise to her from the visit she presently paid to Mr. Osmond's hill-top. Nothing could have been more charming than this occasion--a soft afternoon in the full maturity of the Tuscan spring. The companions drove out of the Roman Gate, beneath the enormous blank superstructure which crowns the fine clear arch of that portal and makes it nakedly impressive, and wound between high-walled lanes into which the wealth of blossoming orchards over-drooped and flung a fragrance, until they reached the small superurban piazza, of crooked shape, where the long brown wall of the villa occupied in part by Mr. Osmond formed a principal, or at least a very imposing, object. Isabel went with her friend through a wide, high court, where a clear shadow rested below and a pair of light-arched galleries, facing each other above, caught the upper sunshine upon their slim columns and the flowering plants in which they were dressed. There was something grave and strong in the place; it looked somehow as if, once you were in, you would need an act of energy to get out. For Isabel, however, there was of course as yet no thought of getting out, but only of advancing. Mr. Osmond met her in the cold ante-chamber--it was cold even in the month of May--and ushered her, with her conductress, into the apartment to which we have already been introduced. Madame Merle was in front, and while Isabel lingered a little, talking with him, she went forward familiarly and greeted two persons who were seated in the saloon. One of these was little Pansy, on whom she bestowed a kiss; the other was a lady whom Mr. Osmond indicated to Isabel as his sister, the Countess Gemini. "And that's my little girl," he said, "who has just come out of her convent."