Charles Dickens: The Uncommercial Traveller

31. CHAPTER XXXI--ABOARD SHIP (continued)

Closed double doors suddenly burst open, and two strong stewards skate in, supporting minister between them. General appearance as of somebody picked up drunk and incapable, and under conveyance to station-house. Stoppage, pause, and particularly heavy rolling. Stewards watch their opportunity, and balance themselves, but cannot balance minister; who, struggling with a drooping head and a backward tendency, seems determined to return below, while they are as determined that he shall be got to the reading-desk in mid-saloon. Desk portable, sliding away down a long table, and aiming itself at the breasts of various members of the congregation. Here the double doors, which have been carefully closed by other stewards, fly open again, and worldly passenger tumbles in, seemingly with pale-ale designs: who, seeking friend, says 'Joe!' Perceiving incongruity, says, 'Hullo! Beg yer pardon!' and tumbles out again. All this time the congregation have been breaking up into sects,--as the manner of congregations often is, each sect sliding away by itself, and all pounding the weakest sect which slid first into the corner. Utmost point of dissent soon attained in every corner, and violent rolling. Stewards at length make a dash; conduct minister to the mast in the centre of the saloon, which he embraces with both arms; skate out; and leave him in that condition to arrange affairs with flock.

There was another Sunday, when an officer of the ship read the service. It was quiet and impressive, until we fell upon the dangerous and perfectly unnecessary experiment of striking up a hymn. After it was given out, we all rose, but everybody left it to somebody else to begin. Silence resulting, the officer (no singer himself) rather reproachfully gave us the first line again, upon which a rosy pippin of an old gentleman, remarkable throughout the passage for his cheerful politeness, gave a little stamp with his boot (as if he were leading off a country dance), and blithely warbled us into a show of joining. At the end of the first verse we became, through these tactics, so much refreshed and encouraged, that none of us, howsoever unmelodious, would submit to be left out of the second verse; while as to the third we lifted up our voices in a sacred howl that left it doubtful whether we were the more boastful of the sentiments we united in professing, or of professing them with a most discordant defiance of time and tune.