Mark Twain: The Innocents Abroad

40. CHAPTER XL. (continued)

"If after the manner of men I have fought with beasts at Ephesus," &c.,

when many men still lived who had seen the Christ; here Mary Magdalen died, and here the Virgin Mary ended her days with John, albeit Rome has since judged it best to locate her grave elsewhere; six or seven hundred years ago--almost yesterday, as it were--troops of mail-clad Crusaders thronged the streets; and to come down to trifles, we speak of meandering streams, and find a new interest in a common word when we discover that the crooked river Meander, in yonder valley, gave it to our dictionary. It makes me feel as old as these dreary hills to look down upon these moss-hung ruins, this historic desolation. One may read the Scriptures and believe, but he can not go and stand yonder in the ruined theatre and in imagination people it again with the vanished multitudes who mobbed Paul's comrades there and shouted, with one voice, "Great is Diana of the Ephesians!" The idea of a shout in such a solitude as this almost makes one shudder.

It was a wonderful city, this Ephesus. Go where you will about these broad plains, you find the most exquisitely sculptured marble fragments scattered thick among the dust and weeds; and protruding from the ground, or lying prone upon it, are beautiful fluted columns of porphyry and all precious marbles; and at every step you find elegantly carved capitals and massive bases, and polished tablets engraved with Greek inscriptions. It is a world of precious relics, a wilderness of marred and mutilated gems. And yet what are these things to the wonders that lie buried here under the ground ? At Constantinople, at Pisa, in the cities of Spain, are great mosques and cathedrals, whose grandest columns came from the temples and palaces of Ephesus, and yet one has only to scratch the ground here to match them. We shall never know what magnificence is, until this imperial city is laid bare to the sun.

The finest piece of sculpture we have yet seen and the one that impressed us most, (for we do not know much about art and can not easily work up ourselves into ecstasies over it,) is one that lies in this old theatre of Ephesus which St. Paul's riot has made so celebrated. It is only the headless body of a man, clad in a coat of mail, with a Medusa head upon the breast-plate, but we feel persuaded that such dignity and such majesty were never thrown into a form of stone before.