Ralph Waldo Emerson: Essays, Second Series

2. EXPERIENCE. (continued)

How easily, if fate would suffer it, we might keep forever these beautiful limits, and adjust ourselves, once for all, to the perfect calculation of the kingdom of known cause and effect. In the street and in the newspapers, life appears so plain a business that manly resolution and adherence to the multiplication-table through all weathers will insure success. But ah! presently comes a day, or is it only a half-hour, with its angel-whispering, --which discomfits the conclusions of nations and of years! Tomorrow again everything looks real and angular, the habitual standards are reinstated, common sense is as rare as genius,--is the basis of genius, and experience is hands and feet to every enterprise;--and yet, he who should do his business on this understanding would be quickly bankrupt. Power keeps quite another road than the turnpikes of choice and will; namely the subterranean and invisible tunnels and channels of life. It is ridiculous that we are diplomatists, and doctors, and considerate people: there are no dupes like these. Life is a series of surprises, and would not be worth taking or keeping if it were not. God delights to isolate us every day, and hide from us the past and the future. We would look about us, but with grand politeness he draws down before us an impenetrable screen of purest sky, and another behind us of purest sky. 'You will not remember,' he seems to say, `and you will not expect.' All good conversation, manners, and action, come from a spontaneity which forgets usages and makes the moment great. Nature hates calculators; her methods are saltatory and impulsive. Man lives by pulses; our organic movements are such; and the chemical and ethereal agents are undulatory and alternate; and the mind goes antagonizing on, and never prospers but by fits. We thrive by casualties. Our chief experiences have been casual. The most attractive class of people are those who are powerful obliquely and not by the direct stroke; men of genius, but not yet accredited; one gets the cheer of their light without paying too great a tax. Theirs is the beauty of the bird or the morning light, and not of art. In the thought of genius there is always a surprise; and the moral sentiment is well called "the newness," for it is never other; as new to the oldest intelligence as to the young child;--"the kingdom that cometh without observation." In like manner, for practical success, there must not be too much design. A man will not be observed in doing that which he can do best. There is a certain magic about his properest action which stupefies your powers of observation, so that though it is done before you, you wist not of it. The art of life has a pudency, and will not be exposed. Every man is an impossibility until he is born; every thing impossible until we see a success. The ardors of piety agree at last with the coldest skepticism,--that nothing is of us or our works,--that all is of God. Nature will not spare us the smallest leaf of laurel. All writing comes by the grace of God, and all doing and having. I would gladly be moral and keep due metes and bounds, which I dearly love, and allow the most to the will of man; but I have set my heart on honesty in this chapter, and I can see nothing at last, in success or failure, than more or less of vital force supplied from the Eternal. The results of life are uncalculated and uncalculable. The years teach much which the days never know. The persons who compose our company, converse, and come and go, and design and execute many things, and somewhat comes of it all, but an unlooked-for result. The individual is always mistaken. He designed many things, and drew in other persons as coadjutors, quarrelled with some or all, blundered much, and something is done; all are a little advanced, but the individual is always mistaken. It turns out somewhat new and very unlike what he promised himself.