Our young lady's courage, however, might have been taken as
reaching its height after her relations had gone home. She could
imagine braver things than spending the winter in Paris--Paris
had sides by which it so resembled New York, Paris was like
smart, neat prose--and her close correspondence with Madame
Merle did much to stimulate such flights. She had never had a
keener sense of freedom, of the absolute boldness and wantonness
of liberty, than when she turned away from the platform at the
Euston Station on one of the last days of November, after the
departure of the train that was to convey poor Lily, her husband
and her children to their ship at Liverpool. It had been good for
her to regale; she was very conscious of that; she was very
observant, as we know, of what was good for her, and her effort
was constantly to find something that was good enough. To profit
by the present advantage till the latest moment she had made the
journey from Paris with the unenvied travellers. She would have
accompanied them to Liverpool as well, only Edmund Ludlow had
asked her, as a favour, not to do so; it made Lily so fidgety and
she asked such impossible questions. Isabel watched the train
move away; she kissed her hand to the elder of her small nephews,
a demonstrative child who leaned dangerously far out of the
window of the carriage and made separation an occasion of violent
hilarity, and then she walked back into the foggy London street.
The world lay before her--she could do whatever she chose. There
was a deep thrill in it all, but for the present her choice was
tolerably discreet; she chose simply to walk back from Euston
Square to her hotel. The early dusk of a November afternoon had
already closed in; the street-lamps, in the thick, brown air,
looked weak and red; our heroine was unattended and Euston Square
was a long way from Piccadilly. But Isabel performed the journey
with a positive enjoyment of its dangers and lost her way almost
on purpose, in order to get more sensations, so that she was
disappointed when an obliging policeman easily set her right
again. She was so fond of the spectacle of human life that she
enjoyed even the aspect of gathering dusk in the London streets--
the moving crowds, the hurrying cabs, the lighted shops, the
flaring stalls, the dark, shining dampness of everything. That
evening, at her hotel, she wrote to Madame Merle that she should
start in a day or two for Rome. She made her way down to Rome
without touching at Florence--having gone first to Venice and
then proceeded southward by Ancona. She accomplished this journey
without other assistance than that of her servant, for her
natural protectors were not now on the ground. Ralph Touchett was
spending the winter at Corfu, and Miss Stackpole, in the
September previous, had been recalled to America by a telegram
from the Interviewer. This journal offered its brilliant
correspondent a fresher field for her genius than the mouldering
cities of Europe, and Henrietta was cheered on her way by a
promise from Mr. Bantling that he would soon come over to see
her. Isabel wrote to Mrs. Touchett to apologise for not
presenting herself just yet in Florence, and her aunt replied
characteristically enough. Apologies, Mrs. Touchett intimated,
were of no more use to her than bubbles, and she herself never
dealt in such articles. One either did the thing or one didn't,
and what one "would" have done belonged to the sphere of the
irrelevant, like the idea of a future life or of the origin of
things. Her letter was frank, but (a rare case with Mrs.
Touchett) not so frank as it pretended. She easily forgave her
niece for not stopping at Florence, because she took it for a
sign that Gilbert Osmond was less in question there than
formerly. She watched of course to see if he would now find a
pretext for going to Rome, and derived some comfort from learning
that he had not been guilty of an absence. Isabel, on her side,
had not been a fortnight in Rome before she proposed to Madame
Merle that they should make a little pilgrimage to the East.
Madame Merle remarked that her friend was restless, but she added
that she herself had always been consumed with the desire to
visit Athens and Constantinople. The two ladies accordingly
embarked on this expedition, and spent three months in Greece, in
Turkey, in Egypt. Isabel found much to interest her in these
countries, though Madame Merle continued to remark that even
among the most classic sites, the scenes most calculated to
suggest repose and reflexion, a certain incoherence prevailed in
her. Isabel travelled rapidly and recklessly; she was like a
thirsty person draining cup after cup. Madame Merle meanwhile, as
lady-in-waiting to a princess circulating incognita, panted a
little in her rear. It was on Isabel's invitation she had come,
and she imparted all due dignity to the girl's uncountenanced
state. She played her part with the tact that might have been
expected of her, effacing herself and accepting the position of a
companion whose expenses were profusely paid. The situation,
however, had no hardships, and people who met this reserved
though striking pair on their travels would not have been able to
tell you which was patroness and which client. To say that Madame
Merle improved on acquaintance states meagrely the impression she
made on her friend, who had found her from the first so ample and
so easy. At the end of an intimacy of three months Isabel felt
she knew her better; her character had revealed itself, and the
admirable woman had also at last redeemed her promise of relating
her history from her own point of view--a consummation the more
desirable as Isabel had already heard it related from the point
of view of others. This history was so sad a one (in so far as it
concerned the late M. Merle, a positive adventurer, she might
say, though originally so plausible, who had taken advantage,
years before, of her youth and of an inexperience in which
doubtless those who knew her only now would find it difficult to
believe); it abounded so in startling and lamentable incidents
that her companion wondered a person so eprouvee could have
kept so much of her freshness, her interest in life. Into this
freshness of Madame Merle's she obtained a considerable insight;
she seemed to see it as professional, as slightly mechanical,
carried about in its case like the fiddle of the virtuoso, or
blanketed and bridled like the "favourite" of the jockey. She
liked her as much as ever, but there was a corner of the curtain
that never was lifted; it was as if she had remained after all
something of a public performer, condemned to emerge only in
character and in costume. She had once said that she came from a
distance, that she belonged to the "old, old" world, and Isabel
never lost the impression that she was the product of a different
moral or social clime from her own, that she had grown up under
other stars.