APPENDIX
81. NOTES ON "THUS SPAKE ZARATHUSTRA" BY ANTHONY M. LUDOVICI. (continued)
Chapter LV. The Spirit of Gravity.
(See Note on Chapter XLVI.) In Part II. of this discourse we meet with a
doctrine not touched upon hitherto, save indirectly;--I refer to the
doctrine of self-love. We should try to understand this perfectly before
proceeding; for it is precisely views of this sort which, after having been
cut out of the original context, are repeated far and wide as internal
evidence proving the general unsoundness of Nietzsche's philosophy.
Already in the last of the "Thoughts out of Season" Nietzsche speaks as
follows about modern men: "...these modern creatures wish rather to be
hunted down, wounded and torn to shreds, than to live alone with themselves
in solitary calm. Alone with oneself!--this thought terrifies the modern
soul; it is his one anxiety, his one ghastly fear" (English Edition, page
141). In his feverish scurry to find entertainment and diversion, whether
in a novel, a newspaper, or a play, the modern man condemns his own age
utterly; for he shows that in his heart of hearts he despises himself. One
cannot change a condition of this sort in a day; to become endurable to
oneself an inner transformation is necessary. Too long have we lost
ourselves in our friends and entertainments to be able to find ourselves so
soon at another's bidding. "And verily, it is no commandment for to-day
and to-morrow to LEARN to love oneself. Rather is it of all arts the
finest, subtlest, last, and patientest."
In the last verse Nietzsche challenges us to show that our way is the right
way. In his teaching he does not coerce us, nor does he overpersuade; he
simply says: "I am a law only for mine own, I am not a law for all. This
--is now MY way,--where is yours?"
Chapter LVI. Old and New Tables. Par. 2.
Nietzsche himself declares this to be the most decisive portion of the
whole of "Thus Spake Zarathustra". It is a sort of epitome of his leading
doctrines. In verse 12 of the second paragraph, we learn how he himself
would fain have abandoned the poetical method of expression had he not
known only too well that the only chance a new doctrine has of surviving,
nowadays, depends upon its being given to the world in some kind of art-form.
Just as prophets, centuries ago, often had to have recourse to the
mask of madness in order to mitigate the hatred of those who did not and
could not see as they did; so, to-day, the struggle for existence among
opinions and values is so great, that an art-form is practically the only
garb in which a new philosophy can dare to introduce itself to us.
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