E. M. Forster: Howards End

5. CHAPTER V (continued)

Margaret talked ahead, occasionally saying, "Don't you think so? don't you feel the same?" And once she stopped, and said, "Oh, do interrupt me!" which terrified him. She did not attract him, though she filled him with awe. Her figure was meagre, her face seemed all teeth and eyes, her references to her sister and her brother were uncharitable. For all her cleverness and culture, she was probably one of those soulless, atheistical women who have been so shown up by Miss Corelli. It was surprising (and alarming) that she should suddenly say, "I do hope that you'll come in and have some tea. We should be so glad. I have dragged you so far out of your way."

They had arrived at Wickham Place. The sun had set, and the backwater, in deep shadow, was filling with a gentle haze. To the right the fantastic sky-line of the flats towered black against the hues of evening; to the left the older houses raised a square-cut, irregular parapet against the grey. Margaret fumbled for her latch-key. Of course she had forgotten it. So, grasping her umbrella by its ferrule, she leant over the area and tapped at the dining-room window.

"Helen! Let us in!"

"All right," said a voice.

"You've been taking this gentleman's umbrella."

"Taken a what?" said Helen, opening the door. "Oh, what's that? Do come in! How do you do?"

"Helen, you must not be so ramshackly. You took this gentleman's umbrella away from Queen's Hall, and he has had the trouble of coming round for it."

"Oh, I am so sorry!" cried Helen, all her hair flying. She had pulled off her hat as soon as she returned, and had flung herself into the big dining-room chair. "I do nothing but steal umbrellas. I am so very sorry! Do come in and choose one. Is yours a hooky or a nobbly? Mine's a nobbly--at least, I THINK it is."

This is page 37 of 343. [Marked]
This title is on Your Bookshelf.
Customize text appearance:
Color: A A A A A   Font: Aa Aa   Size: 1 2 3 4 5   Defaults
(c) 2003-2012 LiteraturePage.com and Michael Moncur. All rights reserved.
For information about public domain texts appearing here, read the copyright information and disclaimer.