Hans Christian Andersen: Andersen's Fairy Tales

4. THE SHOES OF FORTUNE (continued)

He felt in his pocket for the papers. "These police-reports will soon stem the torrent of my ideas, and effectually hinder any rebellious overflowing of the time-worn banks of official duties"; he said to himself consolingly, while his eye ran over the first page. "DAME TIGBRITH, tragedy in five acts." "What is that? And yet it is undeniably my own handwriting. Have I written the tragedy? Wonderful, very wonderful! --And this--what have I here? 'INTRIGUE ON THE RAMPARTS; or THE DAY OF REPENTANCE: vaudeville with new songs to the most favorite airs.' The deuce! Where did I get all this rubbish? Some one must have slipped it slyly into my pocket for a joke. There is too a letter to me; a crumpled letter and the seal broken."

Yes; it was not a very polite epistle from the manager of a theatre, in which both pieces were flatly refused.

"Hem! hem!" said the clerk breathlessly, and quite exhausted he seated himself on a bank. His thoughts were so elastic, his heart so tender; and involuntarily he picked one of the nearest flowers. It is a simple daisy, just bursting out of the bud. What the botanist tells us after a number of imperfect lectures, the flower proclaimed in a minute. It related the mythus of its birth, told of the power of the sun-light that spread out its delicate leaves, and forced them to impregnate the air with their incense--and then he thought of the manifold struggles of life, which in like manner awaken the budding flowers of feeling in our bosom. Light and air contend with chivalric emulation for the love of the fair flower that bestowed her chief favors on the latter; full of longing she turned towards the light, and as soon as it vanished, rolled her tender leaves together and slept in the embraces of the air. "It is the light which adorns me," said the flower.

"But 'tis the air which enables thee to breathe," said the poet's voice.

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