Home / News Author Index Title Index Category Index Search Your Bookshelf |
Mark Twain: The Innocents Abroad50. CHAPTER L. (continued)I love to quote from Grimes, because he is so dramatic. And because he is so romantic. And because he seems to care but little whether he tells the truth or not, so he scares the reader or excites his envy or his admiration. He went through this peaceful land with one hand forever on his revolver, and the other on his pocket-handkerchief. Always, when he was not on the point of crying over a holy place, he was on the point of killing an Arab. More surprising things happened to him in Palestine than ever happened to any traveler here or elsewhere since Munchausen died. At Beit Jin, where nobody had interfered with him, he crept out of his tent at dead of night and shot at what he took to be an Arab lying on a rock, some distance away, planning evil. The ball killed a wolf. Just before he fired, he makes a dramatic picture of himself--as usual, to scare the reader: "Was it imagination, or did I see a moving object on the surface of the rock? If it were a man, why did he not now drop me? He had a beautiful shot as I stood out in my black boornoose against the white tent. I had the sensation of an entering bullet in my throat, breast, brain." Reckless creature! Riding toward Genessaret, they saw two Bedouins, and "we looked to our pistols and loosened them quietly in our shawls," etc. Always cool. In Samaria, he charged up a hill, in the face of a volley of stones; he fired into the crowd of men who threw them. He says: "I never lost an opportunity of impressing the Arabs with the perfection of American and English weapons, and the danger of attacking any one of the armed Franks. I think the lesson of that ball not lost." At Beit Jin he gave his whole band of Arab muleteers a piece of his mind, and then-- This is page 395 of 495. [Marked] This title is on Your Bookshelf. Buy a copy of The Innocents Abroad at Amazon.com
Customize text appearance: |
(c) 2003-2012 LiteraturePage.com and Michael Moncur.
All rights
reserved.
For information about public domain texts appearing here, read the copyright information and disclaimer. |