Henry James: The Portrait of a Lady

VOLUME II 37. CHAPTER XXXVII (continued)

Five minutes later, while he handed a tea-cup to the damsel in pink, whom he had conducted into the other room, he wondered whether, in making to Mrs. Osmond the profession I have just quoted, he had broken the spirit of his promise to Madame Merle. Such a question was capable of occupying this young man's mind for a considerable time. At last, however, he became-- comparatively speaking--reckless; he cared little what promises he might break. The fate to which he had threatened to abandon the damsel in pink proved to be none so terrible; for Pansy Osmond, who had given him the tea for his companion--Pansy was as fond as ever of making tea--presently came and talked to her. Into this mild colloquy Edward Rosier entered little; he sat by moodily, watching his small sweetheart. If we look at her now through his eyes we shall at first not see much to remind us of the obedient little girl who, at Florence, three years before, was sent to walk short distances in the Cascine while her father and Miss Archer talked together of matters sacred to elder people. But after a moment we shall perceive that if at nineteen Pansy has become a young lady she doesn't really fill out the part; that if she has grown very pretty she lacks in a deplorable degree the quality known and esteemed in the appearance of females as style; and that if she is dressed with great freshness she wears her smart attire with an undisguised appearance of saving it--very much as if it were lent her for the occasion. Edward Rosier, it would seem, would have been just the man to note these defects; and in point of fact there was not a quality of this young lady, of any sort, that he had not noted. Only he called her qualities by names of his own--some of which indeed were happy enough. "No, she's unique--she's absolutely unique," he used to say to himself; and you may be sure that not for an instant would he have admitted to you that she was wanting in style. Style? Why, she had the style of a little princess; if you couldn't see it you had no eye. It was not modern, it was not conscious, it would produce no impression in Broadway; the small, serious damsel, in her stiff little dress, only looked like an Infanta of Velasquez. This was enough for Edward Rosier, who thought her delightfully old-fashioned. Her anxious eyes, her charming lips, her slip of a figure, were as touching as a childish prayer. He had now an acute desire to know just to what point she liked him--a desire which made him fidget as he sat in his chair. It made him feel hot, so that he had to pat his forehead with his handkerchief; he had never been so uncomfortable. She was such a perfect jeune fille, and one couldn't make of a jeune fille the enquiry requisite for throwing light on such a point. A jeune fille was what Rosier had always dreamed of--a jeune fille who should yet not be French, for he had felt that this nationality would complicate the question. He was sure Pansy had never looked at a newspaper and that, in the way of novels, if she had read Sir Walter Scott it was the very most. An American jeune fille--what could be better than that? She would be frank and gay, and yet would not have walked alone, nor have received letters from men, nor have been taken to the theatre to see the comedy of manners. Rosier could not deny that, as the matter stood, it would be a breach of hospitality to appeal directly to this unsophisticated creature; but he was now in imminent danger of asking himself if hospitality were the most sacred thing in the world. Was not the sentiment that he entertained for Miss Osmond of infinitely greater importance? Of greater importance to him--yes; but not probably to the master of the house. There was one comfort; even if this gentleman had been placed on his guard by Madame Merle he would not have extended the warning to Pansy; it would not have been part of his policy to let her know that a prepossessing young man was in love with her. But he WAS in love with her, the prepossessing young man; and all these restrictions of circumstance had ended by irritating him. What had Gilbert Osmond meant by giving him two fingers of his left hand? If Osmond was rude, surely he himself might be bold. He felt extremely bold after the dull girl in so vain a disguise of rose-colour had responded to the call of her mother, who came in to say, with a significant simper at Rosier, that she must carry her off to other triumphs. The mother and daughter departed together, and now it depended only upon him that he should be virtually alone with Pansy. He had never been alone with her before; he had never been alone with a jeune fille. It was a great moment; poor Rosier began to pat his forehead again. There was another room beyond the one in which they stood--a small room that had been thrown open and lighted, but that, the company not being numerous, had remained empty all the evening. It was empty yet; it was upholstered in pale yellow; there were several lamps; through the open door it looked the very temple of authorised love. Rosier gazed a moment through this aperture; he was afraid that Pansy would run away, and felt almost capable of stretching out a hand to detain her. But she lingered where the other maiden had left them, making no motion to join a knot of visitors on the far side of the room. For a little it occurred to him that she was frightened--too frightened perhaps to move; but a second glance assured him she was not, and he then reflected that she was too innocent indeed for that. After a supreme hesitation he asked her if he might go and look at the yellow room, which seemed so attractive yet so virginal. He had been there already with Osmond, to inspect the furniture, which was of the First French Empire, and especially to admire the clock (which he didn't really admire), an immense classic structure of that period. He therefore felt that he had now begun to manoeuvre.