Daniel Defoe: Moll Flanders

1. THE AUTHOR'S PREFACE (continued)

The advocates for the stage have, in all ages, made this the great argument to persuade people that their plays are useful, and that they ought to be allowed in the most civilised and in the most religious government; namely, that they are applied to virtuous purposes, and that by the most lively representations, they fail not to recommend virtue and generous principles, and to discourage and expose all sorts of vice and corruption of manners; and were it true that they did so, and that they constantly adhered to that rule, as the test of their acting on the theatre, much might be said in their favour.

Throughout the infinite variety of this book, this fundamental is most strictly adhered to; there is not a wicked action in any part of it, but is first and last rendered unhappy and unfortunate; there is not a superlative villain brought upon the stage, but either he is brought to an unhappy end, or brought to be a penitent; there is not an ill thing mentioned but it is condemned, even in the relation, nor a virtuous, just thing but it carries its praise along with it. What can more exactly answer the rule laid down, to recommend even those representations of things which have so many other just objections leaving against them? namely, of example, of bad company, obscene language, and the like.

Upon this foundation this book is recommended to the reader as a work from every part of which something may be learned, and some just and religious inference is drawn, by which the reader will have something of instruction, if he pleases to make use of it.

All the exploits of this lady of fame, in her depredations upon mankind, stand as so many warnings to honest people to beware of them, intimating to them by what methods innocent people are drawn in, plundered and robbed, and by consequence how to avoid them. Her robbing a little innocent child, dressed fine by the vanity of the mother, to go to the dancing-school, is a good memento to such people hereafter, as is likewise her picking the gold watch from the young lady's side in the Park.

Her getting a parcel from a hare-brained wench at the coaches in St. John Street; her booty made at the fire, and again at Harwich, all give us excellent warnings in such cases to be more present to ourselves in sudden surprises of every sort.