H. Rider Haggard: Allan Quatermain

0. Dedication and Introduction (continued)

When I was in England I used to live in a very fine house -- at least I call it a fine house, speaking comparatively, and judging from the standard of the houses I have been accustomed to all my life in Africa -- not five hundred yards from the old church where Harry is asleep, and thither I went after the funeral and ate some food; for it is no good starving even if one has just buried all one's earthly hopes. But I could not eat much, and soon I took to walking, or rather limping -- being permanently lame from the bite of a lion -- up and down, up and down the oak-panelled vestibule; for there is a vestibule in my house in England. On all the four walls of this vestibule were placed pairs of horns -- about a hundred pairs altogether, all of which I had shot myself. They are beautiful specimens, as I never keep any horns which are not in every way perfect, unless it may be now and again on account of the associations connected with them. In the centre of the room, however, over the wide fireplace, there was a clear space left on which I had fixed up all my rifles. Some of them I have had for forty years, old muzzle-loaders that nobody would look at nowadays. One was an elephant gun with strips of rimpi, or green hide, lashed round the stock and locks, such as used to be owned by the Dutchmen -- a 'roer' they call it. That gun, the Boer I bought it from many years ago told me, had been used by his father at the battle of the Blood River, just after Dingaan swept into Natal and slaughtered six hundred men, women, and children, so that the Boers named the place where they died 'Weenen', or the 'Place of Weeping'; and so it is called to this day, and always will be called. And many an elephant have I shot with that old gun. She always took a handful of black powder and a three-ounce ball, and kicked like the very deuce.