ACT 1.
1. SCENE I. Venice. A street
(continued)
GRATIANO.
Let me play the fool;
With mirth and laughter let old wrinkles come;
And let my liver rather heat with wine
Than my heart cool with mortifying groans.
Why should a man whose blood is warm within
Sit like his grandsire cut in alabaster,
Sleep when he wakes, and creep into the jaundice
By being peevish? I tell thee what, Antonio--
I love thee, and 'tis my love that speaks--
There are a sort of men whose visages
Do cream and mantle like a standing pond,
And do a wilful stillness entertain,
With purpose to be dress'd in an opinion
Of wisdom, gravity, profound conceit;
As who should say 'I am Sir Oracle,
And when I ope my lips let no dog bark.'
O my Antonio, I do know of these
That therefore only are reputed wise
For saying nothing; when, I am very sure,
If they should speak, would almost damn those ears
Which, hearing them, would call their brothers fools.
I'll tell thee more of this another time.
But fish not with this melancholy bait,
For this fool gudgeon, this opinion.
Come, good Lorenzo. Fare ye well awhile;
I'll end my exhortation after dinner.
LORENZO.
Well, we will leave you then till dinner-time.
I must be one of these same dumb wise men,
For Gratiano never lets me speak.
GRATIANO.
Well, keep me company but two years moe,
Thou shalt not know the sound of thine own tongue.
ANTONIO.
Fare you well; I'll grow a talker for this gear.
GRATIANO.
Thanks, i' faith, for silence is only commendable
In a neat's tongue dried, and a maid not vendible.
[Exeunt GRATIANO and LORENZO.]
ANTONIO.
Is that anything now?
BASSANIO.
Gratiano speaks an infinite deal of nothing, more than
any man in all Venice. His reasons are as two grains of wheat hid
in, two bushels of chaff: you shall seek all day ere you find
them, and when you have them they are not worth the search.
ANTONIO.
Well; tell me now what lady is the same
To whom you swore a secret pilgrimage,
That you to-day promis'd to tell me of?
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