George Eliot: Middlemarch

BOOK IV. THREE LOVE PROBLEMS. 39. CHAPTER XXXIX. (continued)

Mr. Brooke got down at a farmyard-gate, and Dorothea drove on. It is wonderful how much uglier things will look when we only suspect that we are blamed for them. Even our own persons in the glass are apt to change their aspect for us after we have heard some frank remark on their less admirable points; and on the other hand it is astonishing how pleasantly conscience takes our encroachments on those who never complain or have nobody to complain for them. Dagley's homestead never before looked so dismal to Mr. Brooke as it did today, with his mind thus sore about the fault-finding of the "Trumpet," echoed by Sir James.

It is true that an observer, under that softening influence of the fine arts which makes other people's hardships picturesque, might have been delighted with this homestead called Freeman's End: the old house had dormer-windows in the dark red roof, two of the chimneys were choked with ivy, the large porch was blocked up with bundles of sticks, and half the windows were closed with gray worm-eaten shutters about which the jasmine-boughs grew in wild luxuriance; the mouldering garden wall with hollyhocks peeping over it was a perfect study of highly mingled subdued color, and there was an aged goat (kept doubtless on interesting superstitious grounds) lying against the open back-kitchen door. The mossy thatch of the cow-shed, the broken gray barn-doors, the pauper laborers in ragged breeches who had nearly finished unloading a wagon of corn into the barn ready for early thrashing; the scanty dairy of cows being tethered for milking and leaving one half of the shed in brown emptiness; the very pigs and white ducks seeming to wander about the uneven neglected yard as if in low spirits from feeding on a too meagre quality of rinsings,-- all these objects under the quiet light of a sky marbled with high clouds would have made a sort of picture which we have all paused over as a "charming bit," touching other sensibilities than those which are stirred by the depression of the agricultural interest, with the sad lack of farming capital, as seen constantly in the newspapers of that time. But these troublesome associations were just now strongly present to Mr. Brooke, and spoiled the scene for him. Mr. Dagley himself made a figure in the landscape, carrying a pitchfork and wearing his milking-hat--a very old beaver flattened in front. His coat and breeches were the best he had, and he would not have been wearing them on this weekday occasion if he had not been to market and returned later than usual, having given himself the rare treat of dining at the public table of the Blue Bull. How he came to fall into this extravagance would perhaps be matter of wonderment to himself on the morrow; but before dinner something in the state of the country, a slight pause in the harvest before the Far Dips were cut, the stories about the new King and the numerous handbills on the walls, had seemed to warrant a little recklessness. It was a maxim about Middlemarch, and regarded as self-evident, that good meat should have good drink, which last Dagley interpreted as plenty of table ale well followed up by rum-and-water. These liquors have so far truth in them that they were not false enough to make poor Dagley seem merry: they only made his discontent less tongue-tied than usual. He had also taken too much in the shape of muddy political talk, a stimulant dangerously disturbing to his farming conservatism, which consisted in holding that whatever is, is bad, and any change is likely to be worse. He was flushed, and his eyes had a decidedly quarrelsome stare as he stood still grasping his pitchfork, while the landlord approached with his easy shuffling walk, one hand in his trouser-pocket and the other swinging round a thin walking-stick.