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Thomas Hardy: Far from the Madding CrowdChapter 56: Beauty in Loneliness--after All (continued) Lead, kindly Light, amid the encircling gloom, Bathsheba's feeling was always to some extent dependent upon her whim, as is the case with many other women. Something big came into her throat and an uprising to her eyes--and she thought that she would allow the imminent tears to flow if they wished. They did flow and plenteously, and one fell upon the stone bench beside her. Once that she had begun to cry for she hardly knew what, she could not leave off for crowding thoughts she knew too well. She would have given anything in the world to be, as those children were, unconcerned at the meaning of their words, because too innocent to feel the necessity for any such expression. All the impassioned scenes of her brief experience seemed to revive with added emotion at that moment, and those scenes which had been without emotion during enactment had emotion then. Yet grief came to her rather as a luxury than as the scourge of former times. Owing to Bathsheba's face being buried in her hands she did not notice a form which came quietly into the porch, and on seeing her, first moved as if to retreat, then paused and regarded her. Bathsheba did not raise her head for some time, and when she looked round her face was wet, and her eyes drowned and dim. "Mr. Oak," exclaimed she, disconcerted, "how long have you been here?" "A few minutes, ma'am," said Oak, respectfully. "Are you going in?" said Bathsheba; and there came from within the church as from a prompter-- I loved the garish day, and, spite of fears, "I was," said Gabriel. "I am one of the bass singers, you know. I have sung bass for several months." "Indeed: I wasn't aware of that. I'll leave you, then." Which I have loved long since, and lost awhile, sang the children. This is page 412 of 425. [Marked] This title is on Your Bookshelf. Buy a copy of Far from the Madding Crowd at Amazon.com
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