Henry Fielding: The History of Tom Jones, a foundling

BOOK IX. CONTAINING TWELVE HOURS. 1. Chapter i. Of those who lawfully may... (continued)

But though they should be so, they are not sufficient for our purpose, without a good share of learning; for which I could again cite the authority of Horace, and of many others, if any was necessary to prove that tools are of no service to a workman, when they are not sharpened by art, or when he wants rules to direct him in his work, or hath no matter to work upon. All these uses are supplied by learning; for nature can only furnish us with capacity; or, as I have chose to illustrate it, with the tools of our profession; learning must fit them for use, must direct them in it, and, lastly, must contribute part at least of the materials. A competent knowledge of history and of the belles-lettres is here absolutely necessary; and without this share of knowledge at least, to affect the character of an historian, is as vain as to endeavour at building a house without timber or mortar, or brick or stone. Homer and Milton, who, though they added the ornament of numbers to their works, were both historians of our order, were masters of all the learning of their times.

Again, there is another sort of knowledge, beyond the power of learning to bestow, and this is to be had by conversation. So necessary is this to the understanding the characters of men, that none are more ignorant of them than those learned pedants whose lives have been entirely consumed in colleges, and among books; for however exquisitely human nature may have been described by writers, the true practical system can be learnt only in the world. Indeed the like happens in every other kind of knowledge. Neither physic nor law are to be practically known from books. Nay, the farmer, the planter, the gardener, must perfect by experience what he hath acquired the rudiments of by reading. How accurately soever the ingenious Mr Miller may have described the plant, he himself would advise his disciple to see it in the garden. As we must perceive, that after the nicest strokes of a Shakespear or a Jonson, of a Wycherly or an Otway, some touches of nature will escape the reader, which the judicious action of a Garrick, of a Cibber, or a Clive,[*] can convey to him; so, on the real stage, the character shows himself in a stronger and bolder light than he can be described. And if this be the case in those fine and nervous descriptions which great authors themselves have taken from life, how much more strongly will it hold when the writer himself takes his lines not from nature, but from books? Such characters are only the faint copy of a copy, and can have neither the justness nor spirit of an original.