Leo Tolstoy: War and Peace

BOOK FOUR: 1806 15. CHAPTER XV (continued)

"Nikolenka, what is the matter?" Sonya's eyes fixed on him seemed to ask. She noticed at once that something had happened to him.

Nicholas turned away from her. Natasha too, with her quick instinct, had instantly noticed her brother's condition. But, though she noticed it, she was herself in such high spirits at that moment, so far from sorrow, sadness, or self-reproach, that she purposely deceived herself as young people often do. "No, I am too happy now to spoil my enjoyment by sympathy with anyone's sorrow," she felt, and she said to herself: "No, I must be mistaken, he must be feeling happy, just as I am."

"Now, Sonya!" she said, going to the very middle of the room, where she considered the resonance was best.

Having lifted her head and let her arms droop lifelessly, as ballet dancers do, Natasha, rising energetically from her heels to her toes, stepped to the middle of the room and stood still.

"Yes, that's me!" she seemed to say, answering the rapt gaze with which Denisov followed her.

"And what is she so pleased about?" thought Nicholas, looking at his sister. "Why isn't she dull and ashamed?"

Natasha took the first note, her throat swelled, her chest rose, her eyes became serious. At that moment she was oblivious of her surroundings, and from her smiling lips flowed sounds which anyone may produce at the same intervals hold for the same time, but which leave you cold a thousand times and the thousand and first time thrill you and make you weep.

Natasha, that winter, had for the first time begun to sing seriously, mainly because Denisov so delighted in her singing. She no longer sang as a child, there was no longer in her singing that comical, childish, painstaking effect that had been in it before; but she did not yet sing well, as all the connoisseurs who heard her said: "It is not trained, but it is a beautiful voice that must be trained." Only they generally said this some time after she had finished singing. While that untrained voice, with its incorrect breathing and labored transitions, was sounding, even the connoisseurs said nothing, but only delighted in it and wished to hear it again. In her voice there was a virginal freshness, an unconsciousness of her own powers, and an as yet untrained velvety softness, which so mingled with her lack of art in singing that it seemed as if nothing in that voice could be altered without spoiling it.