FOURTH NARRATIVE
1. Extracted from the Journal of EZRA JENNINGS (continued)
"Very well. We must try the next best man in England."
Betteredge took another note; and I went on issuing my directions.
"Miss Verinder's sitting-room to be restored exactly to what it
was last year. Also, the corridor leading from the sitting-room
to the first landing. Also, the second corridor, leading from
the second landing to the best bedrooms. Also, the bedroom
occupied last June by Mr. Franklin Blake."
Betteredge's blunt pencil followed me conscientiously, word by word.
"Go on, sir," he said, with sardonic gravity. "There's a deal of writing
left in the point of this pencil yet."
I told him that I had no more directions to give. "Sir," said Betteredge,
"in that case, I have a point or two to put on my own behalf." He opened
the pocket-book at a new page, and gave the inexhaustible pencil another
preliminary lick.
"I wish to know," he began, "whether I may, or may not,
wash my hands----"
"You may decidedly," said Mr. Blake. "I'll ring for the waiter."
"----of certain responsibilities," pursued Betteredge,
impenetrably declining to see anybody in the room but himself
and me. "As to Miss Verinder's sitting-room, to begin with.
When we took up the carpet last year, Mr. Jennings, we found
a surprising quantity of pins. Am I responsible for putting back
the pins?"
"Certainly not."
Betteredge made a note of that concession, on the spot.
"As to the first corridor next," he resumed. "When we moved
the ornaments in that part, we moved a statue of a fat naked child--
profanely described in the catalogue of the house as "Cupid, god of Love."
He had two wings last year, in the fleshy part of his shoulders.
My eye being off him, for the moment, he lost one of them. Am I
responsible for Cupid's wing?"
I made another concession, and Betteredge made another note.
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