Henry Fielding: The History of Tom Jones, a foundling

BOOK X. IN WHICH THE HISTORY GOES FORWARD ABOUT TWELVE HOURS. 8. Chapter viii. In which the history goes backward.

In which the history goes backward.

Before we proceed any farther in our history, it may be proper to look a little back, in order to account for the extraordinary appearance of Sophia and her father at the inn at Upton.

The reader may be pleased to remember that, in the ninth chapter of the seventh book of our history, we left Sophia, after a long debate between love and duty, deciding the cause, as it usually, I believe, happens, in favour of the former.

This debate had arisen, as we have there shown, from a visit which her father had just before made her, in order to force her consent to a marriage with Blifil; and which he had understood to be fully implied in her acknowledgment "that she neither must nor could refuse any absolute command of his."

Now from this visit the squire retired to his evening potation, overjoyed at the success he had gained with his daughter; and, as he was of a social disposition, and willing to have partakers in his happiness, the beer was ordered to flow very liberally into the kitchen; so that before eleven in the evening there was not a single person sober in the house except only Mrs Western herself and the charming Sophia.

Early in the morning a messenger was despatched to summon Mr Blifil; for, though the squire imagined that young gentleman had been much less acquainted than he really was with the former aversion of his daughter, as he had not, however, yet received her consent, he longed impatiently to communicate it to him, not doubting but that the intended bride herself would confirm it with her lips. As to the wedding, it had the evening before been fixed, by the male parties, to be celebrated on the next morning save one.

Breakfast was now set forth in the parlour, where Mr Blifil attended, and where the squire and his sister likewise were assembled; and now Sophia was ordered to be called.

O, Shakespear! had I thy pen! O, Hogarth! had I thy pencil! then would I draw the picture of the poor serving-man, who, with pale countenance, staring eyes, chattering teeth, faultering tongue, and trembling limbs,