Thomas Hardy: The Woodlanders

7. CHAPTER VII.

Kaleidoscopic dreams of a weird alchemist-surgeon, Grammer Oliver's skeleton, and the face of Giles Winterborne, brought Grace Melbury to the morning of the next day. It was fine. A north wind was blowing--that not unacceptable compromise between the atmospheric cutlery of the eastern blast and the spongy gales of the west quarter. She looked from her window in the direction of the light of the previous evening, and could just discern through the trees the shape of the surgeon's house. Somehow, in the broad, practical daylight, that unknown and lonely gentleman seemed to be shorn of much of the interest which had invested his personality and pursuits in the hours of darkness, and as Grace's dressing proceeded he faded from her mind.

Meanwhile, Winterborne, though half assured of her father's favor, was rendered a little restless by Miss Melbury's behavior. Despite his dry self-control, he could not help looking continually from his own door towards the timber-merchant's, in the probability of somebody's emergence therefrom. His attention was at length justified by the appearance of two figures, that of Mr. Melbury himself, and Grace beside him. They stepped out in a direction towards the densest quarter of the wood, and Winterborne walked contemplatively behind them, till all three were soon under the trees.

Although the time of bare boughs had now set in, there were sheltered hollows amid the Hintock plantations and copses in which a more tardy leave-taking than on windy summits was the rule with the foliage. This caused here and there an apparent mixture of the seasons; so that in some of the dells that they passed by holly-berries in full red were found growing beside oak and hazel whose leaves were as yet not far removed from green, and brambles whose verdure was rich and deep as in the month of August. To Grace these well-known peculiarities were as an old painting restored.

Now could be beheld that change from the handsome to the curious which the features of a wood undergo at the ingress of the winter months. Angles were taking the place of curves, and reticulations of surfaces--a change constituting a sudden lapse from the ornate to the primitive on Nature's canvas, and comparable to a retrogressive step from the art of an advanced school of painting to that of the Pacific Islander.