William Makepeace Thackeray: Vanity Fair

46. XLVI: Struggles and Trials (continued)

In these quiet labours and harmless cares the gentle widow's life was passing away, a silver hair or two marking the progress of time on her head and a line deepening ever so little on her fair forehead. She used to smile at these marks of time. "What matters it," she asked, "For an old woman like me?" All she hoped for was to live to see her son great, famous, and glorious, as he deserved to be. She kept his copy-books, his drawings, and compositions, and showed them about in her little circle as if they were miracles of genius. She confided some of these specimens to Miss Dobbin, to show them to Miss Osborne, George's aunt, to show them to Mr. Osborne himself--to make that old man repent of his cruelty and ill feeling towards him who was gone. All her husband's faults and foibles she had buried in the grave with him: she only remembered the lover, who had married her at all sacrifices, the noble husband, so brave and beautiful, in whose arms she had hung on the morning when he had gone away to fight, and die gloriously for his king. From heaven the hero must be smiling down upon that paragon of a boy whom he had left to comfort and console her. We have seen how one of George's grandfathers (Mr. Osborne), in his easy chair in Russell Square, daily grew more violent and moody, and how his daughter, with her fine carriage, and her fine horses, and her name on half the public charity-lists of the town, was a lonely, miserable, persecuted old maid. She thought again and again of the beautiful little boy, her brother's son, whom she had seen. She longed to be allowed to drive in the fine carriage to the house in which he lived, and she used to look out day after day as she took her solitary drive in the park, in hopes that she might see him. Her sister, the banker's lady, occasionally condescended to pay her old home and companion a visit in Russell Square. She brought a couple of sickly children attended by a prim nurse, and in a faint genteel giggling tone cackled to her sister about her fine acquaintance, and how her little Frederick was the image of Lord Claud Lollypop and her sweet Maria had been noticed by the Baroness as they were driving in their donkey-chaise at Roehampton. She urged her to make her papa do something for the darlings. Frederick she had determined should go into the Guards; and if they made an elder son of him (and Mr. Bullock was positively ruining and pinching himself to death to buy land), how was the darling girl to be provided for? "I expect YOU, dear," Mrs. Bullock would say, "for of course my share of our Papa's property must go to the head of the house, you know. Dear Rhoda McMull will disengage the whole of the Castletoddy property as soon as poor dear Lord Castletoddy dies, who is quite epileptic; and little Macduff McMull will be Viscount Castletoddy. Both the Mr. Bludyers of Mincing Lane have settled their fortunes on Fanny Bludyer's little boy. My darling Frederick must positively be an eldest son; and-- and do ask Papa to bring us back his account in Lombard Street, will you, dear? It doesn't look well, his going to Stumpy and Rowdy's." After which kind of speeches, in which fashion and the main chance were blended together, and after a kiss, which was like the contact of an oyster--Mrs. Frederick Bullock would gather her starched nurslings and simper back into her carriage.