BOOK SECOND.
CHAPTER 3. KISSES FOR BLOWS.
(continued)
It is an unpleasant thing to go to bed without supper, it is
a still less pleasant thing not to sup and not to know where
one is to sleep. That was Gringoire's condition. No supper,
no shelter; he saw himself pressed on all sides by necessity,
and he found necessity very crabbed. He had long ago discovered
the truth, that Jupiter created men during a fit of
misanthropy, and that during a wise man's whole life, his
destiny holds his philosophy in a state of siege. As for
himself, he had never seen the blockade so complete; he heard
his stomach sounding a parley, and he considered it very much
out of place that evil destiny should capture his philosophy
by famine.
This melancholy revery was absorbing him more and more,
when a song, quaint but full of sweetness, suddenly tore him
from it. It was the young gypsy who was singing.
Her voice was like her dancing, like her beauty. It was
indefinable and charming; something pure and sonorous,
aerial, winged, so to speak. There were continual outbursts,
melodies, unexpected cadences, then simple phrases strewn
with aerial and hissing notes; then floods of scales which
would have put a nightingale to rout, but in which harmony
was always present; then soft modulations of octaves which
rose and fell, like the bosom of the young singer. Her beautiful
face followed, with singular mobility, all the caprices of
her song, from the wildest inspiration to the chastest dignity.
One would have pronounced her now a mad creature, now a
queen.
The words which she sang were in a tongue unknown to
Gringoire, and which seemed to him to be unknown to herself,
so little relation did the expression which she imparted to her
song bear to the sense of the words. Thus, these four lines,
in her mouth, were madly gay,--
Un cofre de gran riqueza
Hallaron dentro un pilar,
Dentro del, nuevas banderas
Con figuras de espantar.*
* A coffer of great richness
In a pillar's heart they found,
Within it lay new banners,
With figures to astound.
And an instant afterwards, at the accents which she imparted
to this stanza,--
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