Alexandre Dumas: The Three Musketeers

57. MEANS FOR CLASSICAL TRAGEDY (continued)

"Then in spite of my cries, in spite of my resistance--for I began to comprehend that there was a question of something worse than death--the executioner seized me, threw me on the floor, fastened me with his bonds, and suffocated by sobs, almost without sense, invoking God, who did not listen to me, I uttered all at once a frightful cry of pain and shame. A burning fire, a red-hot iron, the iron of the executioner, was imprinted on my shoulder."

Felton uttered a groan.

"Here," said Milady, rising with the majesty of a queen, "here, Felton, behold the new martyrdom invented for a pure young girl, the victim of the brutality of a villain. Learn to know the heart of men, and henceforth make yourself less easily the instrument of their unjust vengeance."

Milady, with a rapid gesture, opened her robe, tore the cambric that covered her bosom, and red with feigned anger and simulated shame, showed the young man the ineffaceable impression which dishonored that beautiful shoulder.

"But," cried Felton, "that is a FLEUR-DE-LIS which I see there."

"And therein consisted the infamy," replied Milady. "The brand of England!--it would be necessary to prove what tribunal had imposed it on me, and I could have made a public appeal to all the tribunals of the kingdom; but the brand of France!--oh, by that, by THAT I was branded indeed!"

This was too much for Felton.

Pale, motionless, overwhelmed by this frightful revelation, dazzled by the superhuman beauty of this woman who unveiled herself before him with an immodesty which appeared to him sublime, he ended by falling on his knees before her as the early Christians did before those pure and holy martyrs whom the persecution of the emperors gave up in the circus to the sanguinary sensuality of the populace. The brand disappeared; the beauty alone remained.

"Pardon! Pardon!" cried Felton, "oh, pardon!"

Milady read in his eyes LOVE! LOVE!