Honore de Balzac: Father Goriot

1. FATHER GORIOT (continued)

So when the servant announced M. Eugene de Rastignac, the Marquis d'Ajuda-Pinto trembled with joy. To be sure, a loving woman shows even more ingenuity in inventing doubts of her lover than in varying the monotony of his happiness; and when she is about to be forsaken, she instinctively interprets every gesture as rapidly as Virgil's courser detected the presence of his companion by snuffing the breeze. It was impossible, therefore, that Mme. de Beauseant should not detect that involuntary thrill of satisfaction; slight though it was, it was appalling in its artlessness.

Eugene had yet to learn that no one in Paris should present himself in any house without first making himself acquainted with the whole history of its owner, and of its owner's wife and family, so that he may avoid making any of the terrible blunders which in Poland draw forth the picturesque exclamation, "Harness five bullocks to your cart!" probably because you will need them all to pull you out of the quagmire into which a false step has plunged you. If, down to the present day, our language has no name for these conversational disasters, it is probably because they are believed to be impossible, the publicity given in Paris to every scandal is so prodigious. After the awkward incident at Mme. de Restaud's, no one but Eugene could have reappeared in his character of bullock-driver in Mme. de Beauseant's drawing-room. But if Mme. de Restaud and M. de Trailles had found him horribly in the way, M. d'Ajuda hailed his coming with relief.

"Good-bye," said the Portuguese, hurrying to the door, as Eugene made his entrance into a dainty little pink-and-gray drawing-room, where luxury seemed nothing more than good taste.

"Until this evening," said Mme. de Beauseant, turning her head to give the Marquis a glance. "We are going to the Bouffons, are we not?"

"I cannot go," he said, with his fingers on the door handle.