Ralph Waldo Emerson: Essays, Second Series

4. MANNERS. (continued)

We may easily seem ridiculous in our eulogy of courtesy, whenever we insist on benevolence as its foundation. The painted phantasm Fashion rises to cast a species of derision on what we say. But I will neither be driven from some allowance to Fashion as a symbolic institution, nor from the belief that love is the basis of courtesy. We must obtain that, if we can; but by all means we must affirm this. Life owes much of its spirit to these sharp contrasts. Fashion, which affects to be honor, is often, in all men's experience, only a ballroom-code. Yet so long as it is the highest circle in the imagination of the best heads on the planet, there is something necessary and excellent in it; for it is not to be supposed that men have agreed to be the dupes of anything preposterous; and the respect which these mysteries inspire in the most rude and sylvan characters, and the curiosity with which details of high life are read, betray the universality of the love of cultivated manners. I know that a comic disparity would be felt, if we should enter the acknowledged 'first circles' and apply these terrific standards of justice, beauty, and benefit to the individuals actually found there. Monarchs and heroes, sages and lovers, these gallants are not. Fashion has many classes and many rules of probation and admission, and not the best alone. There is not only the right of conquest, which genius pretends,--the individual demonstrating his natural aristocracy best of the best; --but less claims will pass for the time; for Fashion loves lions, and points like Circe to her horned company. This gentleman is this afternoon arrived from Denmark; and that is my Lord Ride, who came yesterday from Bagdat; here is Captain Friese, from Cape Turnagain; and Captain Symmes, from the interior of the earth; and Monsieur Jovaire, who came down this morning in a balloon; Mr. Hobnail, the reformer; and Reverend Jul Bat, who has converted the whole torrid zone in his Sunday school; and Signor Torre del Greco, who extinguished Vesuvius by pouring into it the Bay of Naples; Spahi, the Persian ambassador; and Tul Wil Shan, the exiled nabob of Nepaul, whose saddle is the new moon.--But these are monsters of one day, and to-morrow will be dismissed to their holes and dens; for in these rooms every chair is waited for. The artist, the scholar, and, in general, the clerisy, wins their way up into these places and get represented here, somewhat on this footing of conquest. Another mode is to pass through all the degrees, spending a year and a day in St. Michael's Square, being steeped in Cologne water, and perfumed, and dined, and introduced, and properly grounded in all the biography and politics and anecdotes of the boudoirs.