Thomas Hardy: Far from the Madding Crowd

Chapter 8: The Malthouse--the Chat--news (continued)

"Ay, that I will," said Gabriel, pulling out his flute and putting it together. "A poor tool, neighbours; but such as I can do ye shall have and welcome."

Oak then struck up "Jockey to the Fair," and played that sparkling melody three times through, accenting the notes in the third round in a most artistic and lively manner by bending his body in small jerks and tapping with his foot to beat time.

"He can blow the flute very well--that 'a can," said a young married man, who having no individuality worth mentioning was known as "Susan Tall's husband." He continued, "I'd as lief as not be able to blow into a flute as well as that."

"He's a clever man, and 'tis a true comfort for us to have such a shepherd," murmured Joseph Poorgrass, in a soft cadence. "We ought to feel full o' thanksgiving that he's not a player of ba'dy songs instead of these merry tunes; for 'twould have been just as easy for God to have made the shepherd a loose low man--a man of iniquity, so to speak it--as what he is. Yes, for our wives' and daughters' sakes we should feel real thanksgiving."

"True, true,--real thanksgiving!" dashed in Mark Clark conclusively, not feeling it to be of any consequence to his opinion that he had only heard about a word and three-quarters of what Joseph had said.

"Yes," added Joseph, beginning to feel like a man in the Bible; "for evil do thrive so in these times that ye may be as much deceived in the cleanest shaved and whitest shirted man as in the raggedest tramp upon the turnpike, if I may term it so."

"Ay, I can mind yer face now, shepherd," said Henery Fray, criticising Gabriel with misty eyes as he entered upon his second tune. "Yes--now I see 'ee blowing into the flute I know 'ee to be the same man I see play at Casterbridge, for yer mouth were scrimped up and yer eyes a-staring out like a strangled man's--just as they be now."

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