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Ralph Waldo Emerson: Essays, Second Series4. MANNERS. (continued) "As Heaven and Earth are fairer far
Therefore, within the ethnical circle of good society there is a narrower and higher circle, concentration of its light, and flower of courtesy, to which there is always a tacit appeal of pride and reference, as to its inner and imperial court; the parliament of love and chivalry. And this is constituted of those persons in whom heroic dispositions are native; with the love of beauty, the delight in society, and the power to embellish the passing day. If the individuals who compose the purest circles of aristocracy in Europe, the guarded blood of centuries, should pass in review, in such manner as that we could at leisure and critically inspect their behavior, we might find no gentleman and no lady; for although excellent specimens of courtesy and high-breeding would gratify us in the assemblage, in the particulars we should detect offence. Because elegance comes of no breeding, but of birth. There must be romance of character, or the most fastidious exclusion of impertinencies will not avail. It must be genius which takes that direction: it must be not courteous, but courtesy. High behavior is as rare in fiction as it is in fact. Scott is praised for the fidelity with which he painted the demeanor and conversation of the superior classes. Certainly, kings and queens, nobles and great ladies, had some right to complain of the absurdity that had been put in their mouths before the days of Waverley; but neither does Scott's dialogue bear criticism. His lords brave each other in smart epigramatic speeches, but the dialogue is in costume, and does not please on the second reading: it is not warm with life. In Shakspeare alone the speakers do not strut and bridle, the dialogue is easily great, and he adds to so many titles that of being the best-bred man in England and in Christendom. Once or twice in a lifetime we are permitted to enjoy the charm of noble manners, in the presence of a man or woman who have no bar in their nature, but whose character emanates freely in their word and gesture. A beautiful form is better than a beautiful face; a beautiful behavior is better than a beautiful form: it gives a higher pleasure than statues or pictures; it is the finest of the fine arts. A man is but a little thing in the midst of the objects of nature, yet, by the moral quality radiating from his countenance he may abolish all considerations of magnitude, and in his manners equal the majesty of the world. I have seen an individual whose manners, though wholly within the conventions of elegant society, were never learned there, but were original and commanding and held out protection and prosperity; one who did not need the aid of a court-suit, but carried the holiday in his eye; who exhilarated the fancy by flinging wide the doors of new modes of existence; who shook off the captivity of etiquette, with happy, spirited bearing, good-natured and free as Robin Hood; yet with the port of an emperor, if need be,--calm, serious, and fit to stand the gaze of millions. This is page 70 of 135. [Marked] This title is on Your Bookshelf. Buy a copy of Essays, Second Series at Amazon.com
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