George Eliot: Silas Marner

PART ONE 10. CHAPTER X (continued)

But now, little Aaron, having become used to the weaver's awful presence, had advanced to his mother's side, and Silas, seeming to notice him for the first time, tried to return Dolly's signs of good-will by offering the lad a bit of lard-cake. Aaron shrank back a little, and rubbed his head against his mother's shoulder, but still thought the piece of cake worth the risk of putting his hand out for it.

"Oh, for shame, Aaron," said his mother, taking him on her lap, however; "why, you don't want cake again yet awhile. He's wonderful hearty," she went on, with a little sigh--"that he is, God knows. He's my youngest, and we spoil him sadly, for either me or the father must allays hev him in our sight--that we must."

She stroked Aaron's brown head, and thought it must do Master Marner good to see such a "pictur of a child". But Marner, on the other side of the hearth, saw the neat-featured rosy face as a mere dim round, with two dark spots in it.

"And he's got a voice like a bird--you wouldn't think," Dolly went on; "he can sing a Christmas carril as his father's taught him; and I take it for a token as he'll come to good, as he can learn the good tunes so quick. Come, Aaron, stan' up and sing the carril to Master Marner, come."

Aaron replied by rubbing his forehead against his mother's shoulder.

"Oh, that's naughty," said Dolly, gently. "Stan' up, when mother tells you, and let me hold the cake till you've done."

Aaron was not indisposed to display his talents, even to an ogre, under protecting circumstances; and after a few more signs of coyness, consisting chiefly in rubbing the backs of his hands over his eyes, and then peeping between them at Master Marner, to see if he looked anxious for the "carril", he at length allowed his head to be duly adjusted, and standing behind the table, which let him appear above it only as far as his broad frill, so that he looked like a cherubic head untroubled with a body, he began with a clear chirp, and in a melody that had the rhythm of an industrious hammer